Queer Poetry for the Straight Guy

Sunday night.  Time to get out of the house with my friends Denny and Mad Dog and head over to Smitty’s Sports Bar.  All three of us–not Smitty, I don’t care about him–are always feeling a little stifled as the weekend comes to a close, so we head over to Smitty’s to talk sports and poetry by gay guys.


“You guys all set, or you want another pitcher of Frank O’Hara?”

I know, you’d think the two don’t mix, but they do.  Every time I wanna change the subject from kids, how we need a new septic, when are you gonna take my car in for service, blotta blotta blotta, to something sublime and ethereal like Hart Crane’s “The Bridge” I gotta get outta the house.  And the only place where three red-blooded American guys like us can talk sports and queer verse without drawing suspicion is a sports bar, where men can be men without interference by women.


Ernie Broglio:  Tragically, T.S. Eliot never saw him play before he was traded to the Cubs.

Tonight should be especially good because it’s the Cardinals vs. the Cubs on Sunday Night Baseball.  I grew up a Cardinals fan–me and T.S. Eliot I might add–and I’ve always pondered the “rivalry” between the two teams; isn’t this a sloppy use of language that W.H. Auden, f’rinstance, would never have tolerated?  I mean, the Cardinals have won the World Series ten times, while the Cubs haven’t won since 1908; 103 years and counting.  George Will said that if a foreign power took over America and wanted to recruit prison camp guards, they would do well to start with Cardinals fans, but we’re not intentionally sadistic, we just get to celebrate more often.


“Beat it, you breeder.”

I take a seat at the bar and order a Blue Moon summer special.  I always think of it as lesbian beer because I first tasted it in a bar in downtown Boston that, as they say, swings both ways; by day it serves a business crowd, but by night it’s a realm of Sapphic pleasure, or something like that.  I took my friend Butch–no pun intended–in there one time for lunch and, like the salesman he is, he started to chat up the waitress.  “What’s this place like at night?” he asked, taking in the scene with approval.  “You wouldn’t be welcome here,” the waitress with the mullet replied.

I see Denny and Mad Dog at the door and motion for them to come over–there’s three seats right under one of the wide-screen TVs that Smitty provides so each man can be alone with his thoughts at all times.  “You guys want a pitcher?” the waitress says and Mad Dog is about to say “yes” when Denny stops him.  “Don’t ever drink draft beer,” he says. 

“Why not?” the Dog Man asks.

“I got it on good authority from my gay friend—”


“No way is Arthur Rimbaud better than Cavafy!”

“The one who told you if you drink beer out of a bottle you don’t capture the full bouquet you get with a glass?”

“That’s him–he says that bars never clean their pipes, and so draft beer is full of disgusting crap.”

So they both go for bottle beer and we sit down and start chewing the fat.

Our talk usually devolves to fundamental principles fairly quickly:  Does good pitching beat good hitting?  Should the National League adopt the designated hitter rule to extend the careers of slow sluggers?  Should gay poets conceal and compress their sexual identity when they write, or should they celebrate it?  There’s no answer to these eternal questions–they’ll be debating these topics in sports bars a hundred years from now–but still, they get the old conversational juices flowing.

We start with Oscar Wilde, even though his work didn’t become informed with the essential sense of tragedy that marks all great works of art until The Ballad of Reading Gaol.  There’s just so much to talk about!

“I wonder what ever happened to his kids,” Mad Dog asks.

“Yeah–he was one of the few who switched teams,” Denny says by way of agreement.


Lou Brock, wearing his patented headgear, the “Brockabrella.”

“Are you kidding?” the wise guy next to me says.  “Ernie Broglio for Lou Brock has got to be one of the most lopsided trades in the history of baseball.  Brock went to the Hall of Fame, while Broglio . . .”

“Ex-cuse me,” Mad Dog says, and quite huffily I might add.  “We’re trying to have a conversation about gay poets here–not baseball.”

That shuts the guy up.  “Oh, sorry, I thought you was talking about the Cardinals-Cubs rivalry.”

I could say something about that rivalry issue noted above, but I let it pass.  The guy looks back up at the game, and we get our train of thought back on track.

“I dunno about the tragic sense of life being so essential,” Denny says.  “Look at the whimsy of a guy like Frank O’Hara.”

“Whimsy or serious, Wilde wasn’t that hot of a poet,” Mad Dog says.  “I’d throw his entire oeuvre into a cocked hat for Lord Alfred Douglas’ Two Loves.”

“The love that dare not speak its name,” I say with appreciation before taking a sip from my longneck bottle.”

Unfortunately, that invidious comparison draws Denny’s ire.  “Douglas ruined Wilde, all for the reflected glory of hanging out with a guy who could write rings around him.”

“No less an authority than Sir Arthur Quiller-Couch said Douglas wrote the finest sonnets of his time,” Mad Dog replies.  The hairs on the back of my neck are standing up–there’s nothing worse than a stupid sports bar fight between two guys who’ve had a little too much to drink.

“Oh yeah?” Denny says.  “Douglas couldn’t change the nibs in Oscar Wilde’s pens, so go fart in your stupid Quiller-Couch.”

I’m saying to myself “He’s gone too far” but my mind, dulled by the fine hops and fruity finish of the Blue Moon, doesn’t work as fast as Mad Dog’s right, which sails over my head and lands on Denny’s nose.


“Parse this, sucker!”

“Fight, fight, fight,” the chant immediately goes up in the bar, and a circle is formed around the combatants with unlucky me in the middle.  Thankfully Smitty keeps a tight ship, and he’s over the bar in a second to grab Denny while a bouncer takes care of Mad Dog.

“If I’ve told you knuckleheads once I’ve told you a thousand times,” Smitty says, beads of sweat on his forehead from the unexpected exertion, “if you got a literary beef you got to take it outside–unnerstand?”

The two amateur fighters and poetry critics look at each other sheepishly and sit down on bar stools again.

“Geez, what was that all about?” the wise guy next to me asks.

“Nuthin’–just your typical Wilde vs. Douglas fight.”

“Buster Douglas,” the wise guy says with a far-off look in his eye.  “Now that’s gotta be one of the greatest sports upsets of all time.”

Non-Body Mod Personal Ad

I have no nose rings, or tattoos;


I trust the same is true of you.

A Divine Gate-Crasher at the Antique Car Show

Saturday morning: my usual routine–swim, change cat litter, town dump, dry cleaner, coffee–is brightened today by festivities on the lovely greensward that graces the center of our town, like so many others in New England.  I don’t mean our greensward travels around to other towns, I mean they have their own; ours stays right where it is.


“*sniff* I just love that old money smell!”

The occasion?  The annual antique car show, organized by the old codgers who only leave their estates to go to their summer homes in quaint towns on Cape Cod (where there are also antique car shows, so they don’t miss a beat) or to come to Town Meeting to vote against the bond issue for the new fire truck.  The one we have is perfectly fine–it’s only forty years old!

You know how it is; you make your first ten million and you’re suddenly seized by the impulse–perhaps for the first time in your life–to give something back.  To yourself!  All that self-denial and delayed gratification gets to be tiresome after sixty or seventy years.

I pull into a parking space near town hall and survey the scene.  There’s something for everybody here today.  For descendants of families that came over on the Mayflower who’ve been lovingly maintaining the automotive heirloom with the single digit license plate issued to an ancestor by Cotton Mather when revenues from witch-burnings dried up, there’s a Stutz Bearcat.  For those with more whimsical tastes, there are “woodies,” station wagons with real wood panels, not the fake kind.  For the parvenus, les nouveau riche, there are Jaguar XKE’s from the ’60′s.  It’s a car lover’s dream, even for a guy like me who thinks of cars as appliances on wheels.

“Hey you can’t park there!” I hear somebody yell, and I look up from my reverie.

“Why not?” I ask, all ingenous flip-flopped boy with cheeks of tan.

“That space is for cars that are entered in the competition.”

I size the guy up.  I figure him to be the scion of one of those old Boston Brahmin families whose name used to be part of some money management firm–White, Weld, Smith, Barney, Upham, Felton, Shore & Bladda-Bladda–but they got squeezed off the letterhead by a merger or an attempt at re-branding.  I think I can take him.

“What makes you think I’m not going to enter?” I say with a cocky air.

It’s his turn to look me over, like a butterfly pinned to a specimen box.  “A 2002 Toyota Highlander?” he snorts.  “Please–don’t make me laugh.”


I’m third from the bottom, right hand row.

He’s got me on a technicality.  I check the program, and I see there’s no 21st Century Japanese division, so I’m going to have to fake it.

“This baby’s a classic,” I say, extending my arm in a gesture of display the way the models do at car shows.  “V-6 or V-4, I forget.  Plush leather interior.  Six CD-changer.  It’s cherry.”


Car-show girl: Probably not cherry.

“Cherry?  What’s that mean?” the guy asks.  I guess he’s so old he’s forgotten some of the cool slang adolescent males have handed down since time immemorial.

“Virginal.  Clean.  Low-mileage, one-owner.  It’s hymen’s never been penetrated.”

The guy snorts again–must be allergies–and points to the hatchback.  “Then what are all those boxes and crates?”

“Those?  Oh–those are for recycling.”

Another snort–I offer him a Kleenex but he declines.  “What’s the point?” he asks, and I have to admit he’s got a point.  When I first fed deposit bottles into one of those automatic recycling machines and heard them get crunched up into a million pieces, my childhood illusion that there was some big room where they washed the bottles and returned them to the vending machines was shattered, along with the bottles.


Your local recycling center: A great place to meet earthy babes!

“It’s sort of my religion,” I say.

“Religion?  Please–religion is that over there” he says pointing to the Unitarian Universalist Church across the green where, as the old joke goes, the last time they heard the words “Jesus Christ” was when the janitor fell down the stairs. 

“I disagree,” I say.  “I’ve been recycling since 1972, on the South Side of Chicago.  I moved on to the western suburbs of Boston, down the street from where Larry Bird lived.  I graduated to the Town Dump in Wellesley, Mass.–to my knowledge, the only dump that’s ever been featured on the front page of The Wall Street Journal.  And I just came back from our quaint little town dump–it’s not Wellesley, but it’s ours.”

“Why do you say it’s a religion?”

“Because I do it out of faith, with no demonstrable evidence that it has any actual effect on my life, just because it makes me feel–better.”

“But it doesn’t involve God.”

“It’s got Gaia, primordial earth goddess of ancient Greek religion.”

“She’s not the God.”

“Dude,” I say, draping my arm around his shoulder.  “Monotheism is way overrated.”

“It is?”

“Sure it is.  You want to have a little competiton among vendors in your godhead shopping.  I went to your little church one time, when our kids were young.”

“What happened?”

“The sermon was ‘Why Timothy McVeigh is in Heaven Today.’”

He looked at me like I’d come to his daughter’s wedding with my shirt was untucked.  Which it was.

“Well, I’m . . . uh . . . sure there was some deeper meaning . . . “

“Bullhockey!” I snapped, unleashing the full force of my extensive vocabulary of non-obscene curse words at him.  “You know your fellow parishioners–they’re out there every sunny Saturday with their anti-war/anti-nuke signs.  You know they had a sermon of love for the 9/11 highjackers.  And I’ll bet you dollars to donuts that tomorrow’s sermon will be “Why the Norway Shooter Isn’t Such a Bad Guy.”

The look on his face appeared to concede that I might–just might–have a point, even though I went to the wrong schools and grew up in the wrong part of the country and didn’t have a crocodile on my shirt.

“So you recommend . . .”

“Polytheism, jack.  If you don’t like what your god’s puttin’ down, you can shop around.  Try Gaia, or Shiva the Destroyer.  You want a god who’s willing to kick some fuc–”

He cut me off–we still have a blasphemy law on the books here in Massachusetts.


Shiva, one kick-ass divinity.

“Okay, maybe I’ll give it a whirl.  Say–are there any books I could read to sort of, you know, learn a little more about the vengeful gods they didn’t teach us about in Sunday School?”

“I’d start with H.L. Mencken’s ‘Treatise on the Gods.’  He compiled a catalog of more crazy-ass divinities than you can shake a stick at.”

The old guy seemed geniunely grateful.  “Thanks,” he said, “thanks a lot.”

We shook hands and turned to part when he stopped me.  “Say–you don’t really expect to win a prize up against all these old-money classics in mint condition, do you?”

“With my Lord and Master Zoroaster,” I said, “anything is possible.”

For Some Holdouts, Office Charity Begins at Home

LAKE FOREST, Il.  Chuck Schwermer is a 52-year old unmarried video game aficionado who writes code for Aviatrix Technology, a leading maker of air traffic control software.  “It’s not a job that exercises the full range of my intelligence,” he says, “but it sustains me while I implement my five-year plan for world domination.”

Viewed as a loner, Chuck is nonetheless subject to a constant barrage of charitable appeals from colleagues, a fact of life in the modern workplace.  “If employers would simply bar employees from fund-raising on the job, we wouldn’t have to outsource jobs to Upper Volta or Indiana,” notes Illinois Department of Labor economist Martin Gyorgy.


“Make it out to ‘Walk to End Shin Splints’ and leave the amount blank.”

But Chuck and others like him are at the forefront of a new trend that is addressing the problem of intrusive office charitable appeals in guerilla fashion by using a sort of mental jiu-jitsu to repel donation-seekers.  “I put the onus on them to change the world, one Chuck at a time,” he says with a sardonic smile.


“Has anybody seen my giant pen?  I need to write the amount in my giant check register.”

Alison Boul is a relative newcomer to the company, and she approaches Chuck with a request that he sponsor her participation in a Saturday “Walk to End Shin Splints.”  “That sounds like a good cause,” Chuck says as he eyes the leggy 26-year-old, “but I don’t have shin splints.”

“Oh, you don’t have to, Mr. Schwermer,” the woman begins, but he cuts her off.  “You know, there’s a Star Trek convention downstate in Danville this Sunday,” he says.  “That’s about 150 miles each way.  Most guys won’t have dates.  I’d pay you–I don’t know–$1 a mile for your shin splint charity if you’d come with me.”


The fun she’s missing out on.

Boul is taken by surprise, and begins to backpedal from Schwermer’s cubicle.  “Uh, thanks, but I think I’ll still be pretty sore from the walk,” she says. 

“Not a problem,” he responds.  “We’d drive down and I could carry you fireman’s style around the convention,” but the woman is gone, having fled down the hallway as fast as office decorum permits. 


Fireman’s carry:  A real turn-on for some guys.

Other “charity refuseniks” resort to deception to repel solicitations, such as Ned Philburn of the Keokuk, Iowa, Consolidated Water District.  “I’ve never understood why I have to support your damn kid’s Pop Warner football team,” he says as he takes a bit of a Snickers bar while watching a pressure valve fluctuate.  “I’ve got enough problems of my own,” he adds just as Jim Vlisbek, a father of twin girls, rounds the corner carrying a box of chocolate bars. 


Sort of a  good cause

“Hey Ned,” Vlisbeck says as Philburn crumples up his candy wrapper and tosses it in his wastebasket.  “I’m selling chocolate bars to raise money so my daughters’ U-12 soccer team can go to Disney World,” he continues.  “It’ll be the trip of a lifetime for us, so I hope you can buy a couple.”

“Gee, Jim, I’d love to,” Philburn says as he wipes his mouth with a napkin, “but I’m diabetic.”

“Oh, gosh, Ned, I had no idea,” Vlisbeck says with a look of concern on his face.  “You’re a real trouper the way you come into work every day and never complain.”

“Yeah, you’re right,” Philburn replies with a look of contrived humility.  “I tell you what though–my gutters still need cleaning from last year and here it’s getting on towards fall already.  I’ve got a bad knee so I really shouldn’t get up on a ten-foot ladder, but maybe your girls could come over this weekend and earn some money that way.”

“Gosh, I think that would be kinda dangerous, Ned,” Vlisbeck says with an air of fatherly concern.

“Well, you don’t want me to climb up there and risk my neck, do you?” Philburn asks in an offended tone.  “Isn’t my life just as valuable as your kids’?”

“Yeah, sure, you’re absolutely right,” Vlisbeck says sheepishly.  “They’ve . . . uh . . . got a tournament this weekend, so they’ll be busy.”


“But we don’t want to clean gutters!”

“Well, maybe in October,” Philburn says, and Vlisbeck is visibly relieved at this cue that the conversation is at an end.  “Sorry I can’t help.”

“Sure, Ned, sure.  I’ll talk to you later,” Vlisbeck says as he waves and scurries away.

Alone again, Philburn pulls out another Snickers bar and gives himself up to a contemplation of our imperfect world.  “You know if everybody would just give a little bit,” he says reflectively, “we could accomplish so much.”

Available in Kindle format on amazon.com as part of the collection “The Spirit of Giving.”

Seeking Worse Life, Melismatic-Americans March on Washington

WASHINGTON, D.C.  They come, not in school buses or by hitch-hiking as so many marchers on Washington have come before them, but in Volvos, Saabs and SUVs.  Capitol Police officers say they are ready for the crowds, which nearly overwhelmed a Starbucks outlet in Georgetown.

“The problem is we don’t understand the native language of these demonstrators,” says Sergeant Paul McKelvey.  “I’m carrying around a copy of Uncle Remus to use as a phrase book.”


Waits:  Hobo-millionaire musician.

The protestors assembling this weekend are Melismatic-Americans, individuals who deliberately distort their speech in order to seem less affluent and educated than they really are.  “Melismatic-Americans empathize with those less fortunate than themselves, but enjoy a lifestyle to which others would like to become accustomed,” says Newell Abrams, a professor of linguistics at the University of Illinois-Skokie.  “They live rich, and talk poor.”


Raitt:  “Ah’m jest a po’ little rich girl . . .”

Among the marchers is Cheryl Holbrecht, an admirer of white blues musician Bonnie Raitt.  “I’d git closer to the stage iffen I could,” she says, “but mah foot’s in a cast.”  How, this reporter asks, did she hurt herself?  “I’m clumsy–I dropped one of mah g’s on it.”

Melismatic-Americans tend to be financially affluent, but seek to appear less so by adopting the trappings of downward mobility, such as high-priced ”distressed” jeans.  “I’d stop itemizin’ mah deductions, but mah accountant–he won’t let me,” says Ted Haskell of Seattle, who traveled here the hard way, flying coach in a middle seat, to hear singer Tom Waits perform.  “Now ahm jest tryin’ to cobble together enough frequent flyer miles to go to Aruba in the fall.”


Parker:  “When you say a-yuh-guh, do you mean egg?”

“Melisma” refers to ornamentation or embellishment of a single syllable in music or speech, and is commonly used by blues singers, vocalists who sing The Star Spangled Banner as if it were a Mariah Carey hit, and American Idol winners.  Poet Dorothy Parker noted the case of a Southern lady who stretched the word “egg” into three syllables, “a-yuh-guh,” an American record for verbal melisma that still stands.

The National Park Service said it would extra add staff for the anticipated clean-up of the Washington Mall, where a melismatic version of Dr. Martin Luther King’s famous 1965 speech will be performed Sunday night as “Ah Hay-uh-vuh uh Dur-eam.”  “We can accommodate crowds in the low six figures,” says Park Ranger Ellie Gomes, “but not if everybody’s going to use three syllables when one would do.”

Improving Your Cat’s Body Image

It was a beautiful morning, not a cloud in the sky, and as I obeyed the Biblical injunction to lift up mine eyes to the hills in the east, I almost stepped in it.  Not the Bible, the daily deposit of barf that is becoming the occupational hazard, if not the occupation, of this owner of two adult male cats.

 
It’s in there somewhere.

Thankfully whichever one had done the deed had done it on the fake Oriental rug, with its variegated pattern, and not the white or the cream wall-to-walls elsewhere in the house, where it would show.  I went through the familiar routine, like an elementary school janitor cleaning up the halls, then stopped by the window sill where our tuxedo cat Rocco, the younger and fatter of the two, was sunning himself.


“What?  Whadda ya lookin’ at me for?”

“Did you leave me a little present in the foyer?” I asked.

“Not me.  Probably Mr. Slimtastic.”

He was referring to Okie, a grey tabby who is indeed becoming thinner as he grows older, the result–our vet says–of a thyroid condition.

“Is it my imagination, or is Okie throwing up a lot these days?”

“I didn’t know your imagination could throw up.”

“What is it with him this summer?” I asked by way of ignoring him.  “Every morning there’s a pile of upchuck to navigate around.”

Rocco was looking out the window, sizing up a chipmunk that had emerged from a crevice in our stone wall.

 
“Nyah nyah nyah NYAH nyah–You can’t get me!”

“Hello?”

“Sorry, I was lost in thought.  I think he’s having problems with his body image.”

I was, to put it mildly, dumbstruck.  Okie’s a guy, 63 years old in cat years, salt ‘n pepper fur–he should be settling comfortably into dirty old cathood, not worrying about his waistline.


“Does this couch make me look fat?”

“Are you serious?” I asked, incredulous.

“I’m a dumb animal, incapable of irony–of course I’m serious!”

Like anyone who’s raised someone with a poor body image and an eating disorder, I had to ask myself if I’d done something wrong somewhere along the way.  I examined my conscience, the way the nuns taught me back at Sacred Heart Grade School.  I promptly throw out the Sports Illustrated swimsuit issue every winter as soon as I’ve checked to make sure that all the models were psychology majors at UCLA and are in favor of world peace.  I never, ever make a crack about the weight and/or physique of anyone in the house who might care what I thought–like my wife.  The only thing I watch on TV during the summer is out-of-shape baseball players like Josh Beckett, who’s got a major league beer gut to go with his nasty fastball.

“I have no idea where he picked that up,” I said, shaking my head.

“Have you noticed where he’s been napping lately?”

“Uh, no.”

“In the magazine basket, where the catalogs from Chicos get tossed.”

He had a point.  The improbably thin women who are always laughing and having a good time as they model the latest mail order fashions are probably not the best example for a cat who’s getting on in years.

“Maybe I should talk to him,” I said.

“I would say it couldn’t hurt, but I know you too well,” Rocco said as he rolled over for a nap.

I ambled slowly into the living room–no wait, it’s the family room, the living room’s the one we never go in–where I found Okie asleep on top of a Chicos catalog.

“Hey buddy,” I said, as I scratched his head.  He rolled over on his back for a belly rub, then sat up to examine himself.

“Can we switch back to the low-cal Iams?” he asked.

“You know we have to keep you on the high-fat kind because of your thyroid,” I said.


A little paw-candy to impress the other toms with.

“I just hate the way it makes me look!” he said.  He licked the yellow fur on his stomach to make it lay down flat.

“Oak old boy–where is this new-found interest in your physique coming from?  You’re not trying to attract some young paw-candy at your age, are you?”

“No, I don’t miss my sex drive,” he said with a tone that was world-weary and convincing.  “I don’t need that kind of aggravation anymore.”

“Then what is it?”

He looked at me with those big, round, sad eyes he usually only flashes when he wants something really badly, like to go out at night and not come home for two days from a midsummer hunting trip.

“It’s . . . it’s that damned Lady Di cookie tin in the basement.”

“That old thing of mom’s that I put the kids’ crayons in?”

“Yes.  Why do you keep it on display down where I have to sleep?  All I can think of is her pain, the torment she went through, sticking her finger down her throat every night so she could fit into those skimpy silk dresses after all those sumptuous charity dinners for starving children around the world.”

I put my finger under his chin and raised it so we were looking eye-to-eye.

“Okie–you can’t live your life vicariously through a deceased member of the British royal family.  You’ve got to be your own man, er cat, and not follow the frivolous fashions of the moment.  Understand?”

“But–you’re always saying ‘A cat can look at a queen.’”

He was right about that.  My mom used to say it all the time to get people off their high horses, to mix my metaphors.  “Oak,” I said, “that doesn’t mean you’re supposed to go all goo-goo eyed looking at Lady Di pictures.  It means that no one’s better than anyone else, that we’re equals, not like in monarchies where commoners aren’t allowed to look directly at the sovereign.”

“Is that kind of like Barbra Streisand telling her housemaids not to look her in the eye?”

“Right.  Like Orwell said, all animals are equal, but some are more equal than others.”

That seemed to set his mind at ease–I could sense a feeling of peace coming over him.  “I always feel better after we have these little talks,” he said with what appeared to be a beatific smile on his face.

“Why’s that?”

“Because you get in such a mellow mood you won’t notice the mouse I threw up in the den.”

For Near-Sighted Boxers, Road to Top Isn’t Clear

BROCKTON, Mass.  This gritty Massachusetts city is the home of two great boxers, heavyweight Rocky Marciano and middleweight Marvelous Marvin Hagler, but tonight fight fans’ interest is concentrated on a pair of flyweights.  The favorite is Luis “The Librarian” Gonzalez from Newark, New Jersey, so-named because, as he put it at a pre-fight press conference, “When I knock somebody out, they stay as quiet as a liberry.”


Luis “The Librarian” Gonzalez:  “Hey–shut the hell up over there!”

His opponent is Terry “The Poet” O’Hanlon, an Irish-American who took his monicker from his favorite Eugene O’Neill play “A Touch of the Poet.”  “Just a touch of The Poet,” O’Hanlon said mockingly at the weigh-in, “that’s all it’s gonna take when I hit you.”


“Protect yourself at all times, and for God’s sake don’t squint!”

The two fighters walk to the center of the ring to receive instructions from referee Bob Delahanty, who rattles off the usual rigmarole–”When I say break, you break–no hitting below the belt–protect yourself at all times”–just as he has on over 800 nights before, but this time with a twist.  “Gentlemen, let’s have a good, clean fight–now take off your glasses.”

 

O’Hanlon’s second removes his horn-rimmed spectacles, but Gonzalez hesitates a moment before allowing his trainer to lift his wire rims from the bridge of his nose.  “If I ever see you again,” he says menacingly to O’Hanlon, “I’m going to break your jaw.”


“Where did he go?”

O’Hanlon and Gonzalez are practitioners of the newest innovation in a sport that traces its roots back to ancient Greece–near-sighted boxing.  “You get a lot more action with near-sighted boxers,” says Vincent “Big Horse” Pascaglia, commissioner of the WMBA, the World Myopic Boxing Association.  “With regular boxing you have fighters grabbing and holding on to each other all night long.  It looks like two guys trying to get into the same raincoat.”


“You missed me!”

With near-sighted boxing, by contrast, boxers spend the early rounds just finding their opponents, a fact that has caused state boxing commissioners to look with favor on WMBA bouts.  “Most of your near-sighted boxers come up through the ranks of proofreaders and typesetters,” says Massachusetts Boxing Commissioner Rocco Zeppo.  “Even when they land a punch, it don’t carry the force of a slap on the wrist by a Little Sister of the Precious Blood.”


“Uh, let’s see–the 5:08 to Attleboro is on track . . . 7?”

Fighters stay in shape by reading train schedules on overhead announcement boards and looking up names in city white page directories held up by sparring partners across the ring, a fact that some critics say leaves them ill-equipped to find work when their fighting days are over.  “Many of these young kids will be washed up before they’re thirty,” says former sportswriter Mel Carnigan, who asked to be taken off the boxing beat because, he says, “I couldn’t stand it any more.  You’d see these guys, they couldn’t get a fight and they’d be down at the public library reading large-print books with magnifying glasses.”

For many kids on the rough-and-tumble streets of this down-at-the-heels town where hyphens are as cheap as the drugs that are readily-available in open-air markets, near-sighted boxing is the only way out of a life of grim poverty.  “I wish I lived in some rich town and could afford contact lenses,” says Alonzo “Four-Eyes” Tatum, a quiet kid with an explosive right hand.  “But I don’t, so I got to keep my glasses on a chain around my neck, and hope for the best.”

Susan Boyle to Record Amy Winehouse Tribute Album

LONDON.  Susan Boyle doesn’t usually find herself in the company of top-flite rock session musicians such as Dirk Klein, but the grizzled veteran of many hit tracks says he’s making an exception for a tribute album the plain-Jane singing sensation is recording in memory of Amy Winehouse, the self-destructive neo-soul chanteuse who many viewed as Boyle’s evil twin.


“They tried to make me go to vespers service but I said no, no, no!”

“People don’t know it, but Amy and Susan were this close,” Klein says, holding two fingers together.  “Susan took a lot of heat when she cursed at fellow guests at the Wembley Plaza Hotel a few years ago, but Amy set her straight.”

“You can’t just drop the F-bomb on total strangers in a world-class city like London,” Winehouse said in a text message that Boyle preserved on her rotary dial mobile phone.  “That’s my job, you f**king donut hole.”


Winehouse:  “I dreamed a f**king dream . . .”

Boyle took Winehouse’s message to heart and withdrew from public life to collect herself and work on the vocal chops that are on display in “Super Skank: A Tribute to Amy Winehouse” that will be released this fall in the hope that it will assuage the grief that a tearful nation feels in the wake of Winehouse’s not unexpected death at the age 27.

Boyle will rework Winehouse’s hits so as not to foreclose her ability to return to the easy-listening vibe that her fans know and love once a decent period of mourning for Winehouse has passed.  “We’ll re-do ‘Fuck Me Pumps’ as ‘Comfy Bunny Slippers,’” says Myles Moniz, who has volunteered his services as recording engineer.  “I’m thinking of substituting strings for the thumping bass line.”


“Look–I’m Back to Black!”

Boyle has only dipped her toes into bohemian waters in the past, and has assiduously concealed her previous walks on the wild side.  She was forced to retract her claim that she’d never been kissed after Malcolm Lowry, author of Under the Volcano, disclosed in a posthumous book that the two spent a decadent weekend in Tijuana, Mexico, emerging from a squalid bedroom only long enough to drink shots of tequila and eat “Hot Pocket” microwaveable turnovers.  “Susan was the best lay I ever had,” Lowry said in detailed notes he kept of their love trysts.  “When she was completely satisfied, she’d sing a song from an Andrew Lloyd Webber musical.”


Dramatic transformation from frumpy look with glasses, to frumpy look with contacts.

Boyle won the hearts of millions when she surprised viewers of “Britain’s Got Talent” with her rendition of “I Dreamed a Dream” from Les Miserables.  “I thought that was a novel by Victor Hugo,” the previously-harsh judge Simon Cowell said.  “Nobody told me there was a CD in the back!”

My Bossa Nova Years

It is no coincidence that the bossa nova craze coincided with the years in which I achieved my greatest romantic success–first through sixth grades.  No music is better suited to inspire thoughts of love than that associated with the Portugese term translated roughly as “the new thing or trend or fashionable wave or something.”

It was perhaps the fates who decreed it–they have had nothing to do since the demise of the ancient Greeks!  I was prepared as no other boy in my elementary school for the coming of the complex harmonies and soft percussive accents of the sound that evolved from the Brazilian samba and swept through the world like a contagion, for I had learned the cha-cha-cha at numerous country club affairs dancing with my younger sister!

I know, this smacks of incest, but we knew “when to say when” when it came to this most ancient and honorable of taboos, having been cautioned by our older sister of the “Hapsburg” lip–the product of inbreeding amoung the royal families of Europe.  “You two keep that up,” she said to us sternly when she found us practicing in the front parlor, “you’re going to get underslung jaws like Charles II.” 


Charles II

One look at the picture of the unfortunate heir to the Spanish crown in her ninth grade biology book was enough to warn us off.  “It is time that you took the skills I have conveyed to you,” my younger sister said, “and go ask Margaret Shoe to dance.  She already looks like Charles II.”

The bossa nova craze lasted only six years, but oh what a half-a-dozen it wozen!  There were the quiet nights and quiet stars and the quiet chords from my guitar, a rental until I proved to my dad that I was firmly committed to my art and would not lose interest in it, the way I had with the guppies and the rock collection.  And baseball and the coin collection.


The British are coming!

It was a race against time; I had to progress from rank novice to sultry-voiced master before bossa nova was obliterated by the British Invasion in 1964.  I took guitar lessons from a flatulent local teen who would go on to the Berklee School of Music in Boston.  When he was sick, his replacement was the owner of the music studio, a corpulent woman who looked like Patsy Cline without the makeup.  And with maybe sixty, seventy extra pounds on her frame.


Patsy Cline

There was the fruitless search for an instructor in Portugese in the small midwestern town where we lived.  Every week I would check the Yellow Pages: Plumbers, Porch swings, Printers, Psychologists–nothing.  Then turn to “Language Instruction.”  English, French, Latin, Moravian, Russian, Spanish–no Portuguesa!

Finally, my picaresque quest–and try saying that five times fast–ended in the ridiculous, not the sublime, as such tales so often do.  Trudy Espinosa, the daughter of an Air Force colonel on temporary assignment to install intercontinental ballistic missiles bearing nuclear warheads in silos deep beneath the rich soil of our town, held a party in a temporary teen center for the children of the operatives assigned to this top-secret but widely-known assignment.  Located in a double-wide trailer, los cento de teenos was gaily decorated with crepe paper and Japanese lanterns, but I–I had already given my heart to Martha Stretz!


Teen center fun!

A bossa nova singer cannot woo two women at once–the fingering on the guitar is too complex, and the side-to-side movement of the head as you croon to two inamoratas aggravated the whiplash injury that I had sustained in Pop Warner football practice.

I stood up, vanquished by the CMaj7 chord.  “Trudy,” I said sadly, “I am sorry–I already have a girl from Ipanema.” 

“Who is she?” Trudy demanded, her eyes beginning to redden, the storm clouds that announced a torrent of tears was on its way.  It was, after all, her party, and she could cry if she wanted to.

Just then Martha Stretz passed, and when she passed, I couldn’t help but go . . . ah.

I blame it on the bossa nova–with its magic spell.

The Circumcised Heart

“ . . . if then their uncircumcised heart is humbled . . .”

Leviticus 26:41

 For long years, there was no way in
  to that four-chambered house 
  through which, we are told 
  (but don’t know) all emotions go.

 

It took something more than looks–
  your wit, or carriage, or the things
  you held to be true
  for me to open up to you,
  as you did for me,
  as you never had before.

 

Maybe the time was right, I don’t know.
I do know this; we pierced each other
  without wounding, and common tides
  between two seas now flow.

 The swimming’s no good when the tide is low;
  let us take our chance at the flood,
  and when we are done, your head will
  rest against my chest, a mound of flesh
  through which blood flows, through which
  you shall hear, against your ear,
  the beating of a circumcised heart.

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