Your Christmas Etiquette Advisor

Fending off unwanted advances beneath the mistletoe?  Wondering whether you can re-gift that chafing dish you got for your second marriage?  Ask Ms. Christmas Etiquette Advisor–she always minds her manners!

Dear Christmas Etiquette Advisor:

Christmas is always such a harried season, and today I made a terrible mistake that may cause us to lose face in the upscale suburb where we live.  I needed to drop off our expensive family photo Christmas cards at the post office, and to return my book-on-tape at the public library.  In my haste, I accidentally dropped off our Christmas cards at the library, and “Love’s Tortured Yearnings” at the post office.  The dingbat librarians won’t let me go through the book return due to “chain-of-custody” rules they must observe in order to assess library fines, so now I will have to go buy cheap substitute cards and start all over.  Is there a graceful way to say “I didn’t mean to slight you with this terribly down-market greeting card from Wal-Mart”–our application to join the country club is pending this spring.

Mrs. Veronica Taussig, Wellesley Hills, Mass.

Dear Veronica–

Your little “miscue” has apparently caused your self-esteem to plummet.  What you wrote would be perfectly acceptable in all but the most snobbish–wait a minute, I just noticed your address.  In India, this is referred to as “loss of caste,” but think of all the money you’ll save on application fees to Ivy League colleges!

The Postmaster General will be in touch regarding your transmission of obscene materials through the mail.


“Come on, Sholom–loosen up!”

Dear Christmas Etiquette Advisor:

“Diversity” has finally come to our little town as we have hired several “ethnic” types this year, including a very nice Jewish man.  All well and good, but this is a workplace “minefield” since our Christmas Party is this week and we are working overtime trying to come up with inoffensive small talk.  Are there flash cards or other study aids to help us get through this event without getting sued?

Sue Ellen Turbot, Director of Human Resources, Bag-Nap Snap Ties, Kalispell, Montana

Sue Ellen–

Yours is a very tricky situation, as the Jewish people have both “happy” and “sad” holidays.  Most of us “goyim” (what they call us behind our backs) don’t know the difference, as I once found out when I innocently said “Happy Yom Kippur” to our accountant.

Thankfully, Hanukkah is one of their joyful occasions, so you should be safe keeping things light and pleasant with questions like “Say–you people control the weather, are we going to have a White Christmas or what?”

Dear Christmas Etiquette Advisor–

I am involved in a dispute with our new next door neighbor “Chuck” who put up a gaudy Christmas display this year.  I just came back from the doctor who says I have cancer of the armpit, which I did not have last year.

Ms. Christmas Etiquette Advisor, I have read stories about people getting sick from electro-magnetic fields generated by power lines, and I have a sneaking suspicion that the Santa and his elves and the eight reindeer and the Christmas creche including wise men this dingbat put up is to blame for my illness.

Is there any class action going on about this where I could file a claim and not have to pay a lawyer?  They have them for everything from Cheez-Its to Milli Vanilli, whatever that is, so I figure I might have a shot.

Earl Furlong, Cape Girardeau, Missouri

Dear Earl–

Electricity is our friend–remember, it toasts your English muffin every morning–so I’m going to side with “Chuck” on this one.  The jury is still “out” on the issue of whether power lines cause cancer, and I don’t think you should spoil anyone’s holiday by making a questionable “junk science” deathbed self-diagnosis.

I know I’m going to get a lot of nasty letters from “environmentalists” over this answer, but they’ve been saying the world’s going to end since the ’70’s and it hasn’t yet, so sit back and enjoy the season of lights and leave the damage claims to your heirs.

As New Year Nears, Young Scientists Baffled by Lack of Dates

CAMBRIDGE, Massachusetts. When New Year’s Eve was still a month away, Massachusetts Institute of Technology sophomore Jeremy Klotkin took steps to make sure he didn’t spend the night when many unattached men hope to “get lucky” alone.

“I try to go out on a date once a year whether I need it or not,” he says. “I want to stay in shape just in case I need to procreate someday.”

So Jeremy started “dialing-for-dates” shortly after Thanksgiving to make sure he had someone to ring in the New Year with, but his scientific mind noticed a disturbing pattern after his initial round of phonecalls this fall.


“Seriously, Jeremy–it’s a mess!”

 

“Every girl I spoke to was going to be re-arranging her sock drawer on New Year’s Eve,” he says as he taps some numbers into his computer. “Statistically speaking, you would expect to see some deviation from the mean, so I may be able to get a senior thesis out of this.”


“Would you like to stay after lab and make some Jiffy Pop?”

 

Halfway across the country at the University of Chicago, Anil Khalsa, a graduate student in physics, noticed a similar aberration. “I have called many, many women to ask if they are available New Year’s Eve, and each one has told me she expects that her pet will be sick that night. Dogs, cats, gerbils, gekkos–every kind of animal!” he notes with alarm. “I have contacted the Center for Disease Control in Atlanta to tell them that some sort of epidemic has broken out!”


“Uh, Lowell, I’d love to, but with my split ends, I’ve got to do some serious conditioning that night.”

 

On the West Coast, Cal Tech chemistry major Lowell Firke has a different concern; a potential water shortage in Southern California that could trigger rationing. “There are so many women who will be busy New Year’s Eve washing their hair,” he says. “It’s unbelievable!”

Classical Conductor Ups Ante, Says “Call Me Jellyroll”

BUFFALO, New York. Conductors of major metropolitan symphony orchestras are known to be a highly competitive and egotistical lot, but a recent move by the Buffalo Symphony’s musical director has the normally-sedate world of classical music buzzing.


Scalzi:  “I also like to be called ‘The Big Boss With the Hot Sauce.'”

“It is my desire that other conductors should henceforth refer to me as ‘Jellyroll,'” said Riccardo Scalzi. “I am the big dog with the baton right now, and I think they should recognize me as such.”


Ferdinand “Jelly Roll” Morton

The nickname “Jellyroll” was first used by Ferdinand Morton, the self-proclaimed inventor of jazz who learned his trade playing in New Orleans’ houses of prostitution. The word “jellyroll” alludes to the resemblance between the pastry and the male sexual organ, and its adoption by Morton served as public proclamation of his superior position in his predominantly male musical world.

Other conductors were quick to respond, with most saying they would not honor Scalzi by using his chosen monicker. “He ain’t da big dog,” said Isidore Mazel of the Sheboygan Philharmonic Orchestra. “I’m da big dog–I take two strong men and a boy with me when I go to the bathroom ’cause my doctor told me not to lift heavy objects.”


Ozara:  “Scalzi has sex on the brain.  He told me a story about a two-peckered billy goat who walks into a bar . . .”

Akira Marukawa, former director of the Billings, Montana Symphony Orchestra, refused to take sides in the dispute, but said that the strength of a symphony was based primarily on factors other than its conductor. “We are at best glorified timekeepers,” Marukawa said modestly. “A great symphony is made up of great musicians and a great selection of candies and snacks available at intermission, which people tell me is their favorite part of my performances.”

Mazel stood his ground, however, saying Marukawa was in no position to judge his talents. “That little schlong? Please. He couldn’t carry my jock strap to the podium.”

Available in Kindle format on amazon.com as part of the collection “The Genteel Crowd: Being Vulgar is So Much More Fun.”

A Few of My Least Favorite Things

Portable crappers, and phat gangsta rappers,
Overdressed lawyers who think that they’re dapper,
Blonde second wives who are festooned with bling–
These are a few of my least favorite things.

New SUVs that my teenage son crashes,
Posh window treatments with jabots and sashes,
Pant legs that stick ’cause they’ve got static cling–
These are a few of my least favorite things.

When a friend croaks, when my feet stink,
When I’m feeeeling sad . . .
I simply remember my least favorite things
And then I don’t feel so bad.

Cool summer cocktails whose tonic is flattened,
Obnoxious parents with children they’ve fattened,
Hearing your cell phone when you let it ring–
These are a few of my least favorite things.

Visible butt-cracks and sandals with sweat socks,
Income and sales tax, celebrity de-tox,
Middle-aged men who still wear college rings–
These are a few of my least favorite things.

When the pierced tongue, and the nose ring
Become more than fads–
I simply remember my least favorite things
And then I don’t feel so bad.

Non-urgent emails with little red flaggies,
Mice that my cat kills in clear plastic baggies,
Ersatz Gambinos who say “Ba-da-bing”–
These are a few of my least favorite things.

Travel by buses and overstuffed bedding,
In-laws who offer to sing at my wedding,
Being held hostage, all tied up with string–
These are a few of my least favorite things.

As Crypto Crashes Chuck E. Cheese Cleans Up the Crumbs

WASHINGTON, D.C.  Financial regulators, creditors and bankruptcy lawyers are scrambling to find billions of dollars that went up in smoke when crypto exchange FTX failed last month, touching off a panic that threatens the long-term viability of the market for “crypto” coins and tokens.  “Unfortunately for investors, crypto is based entirely on feelings,” said Royal Luster, an analyst at Wealth Management Services.  “For a currency to have real value you need an army that can invade other countries, and presidents or kings whose pictures you can put on it.”


Sam Bankman-Fried:  “My coins are worth almost as much as his.”

 

While it seems certain that backers and customers of the insolvent company will lose everything, there remains the possibility that a “white knight” will step in and salvage something from the wreckage.  Rival firms Binance and Coinbase declined to bail out the company when solicited by founder Sam Bankman-Fried, but one big, established player remains on the sidelines, ready to get in the game as the clock winds down.


Chuck and young admirer:  “Of course you can’t have your money back, sweetie.”

 

“Chuck E. Cheese is their only hope,” said business journalist Chuck Faverhard of Financial Fraud Report.  “He’s been in the business longer than anyone and has a recurring revenue stream from his pizza and tchotchke divisions.”

Chuck E. Cheese is an oversized mouse who serves as the mascot of a diversified portfolio of companies in the family entertainment and awful pizza sectors.  Children convert legal tender into Chuck E. Cheese coins that can be used to play arcade games such as “skee ball,” winning tickets that can then be exchanged for toys.  “It’s essentially a money-laundering scheme,” said former FBI agent Anthony Rocciadello.  “It’s more legitimate than cryptocurrency, plus they have stuffed crust pepperoni, which makes it all worthwhile.”

A “cryptocoin” is digital currency that can be used in transactions verified by a decentralized source using cryptography rather than a centralized government bank.  A “crypt” is an underground room or vault beneath a church used as a burial place. “Cryptocoins” thus offer purchasers a safe place to bury their money and never see it again.

Unlike many wealthy individuals who avoid the public, Mr. Cheese enjoys the spotlight and likes to pal around with other rich business owners.  “He’s a real character,” says legendary investor Warren Buffett, who has invited the mouse to join his regular contract bridge games with Microsoft founder Bill Gates.  “Everybody else is diving into the Chex Party-Mix, and he’s sitting there nibbling a stale pizza crust.”

 

At Some Busy Firms “Shop-at-Work” is Two-Edged Perk

CHICAGO.  For Joe Klesjko, a trader at Wolf/Ram Associates, December is a hectic time of year, and not because of Christmas shopping.  “Our customers would trade 365 days a year if they could,” he says of a client base that hedges their exposure in world tungsten markets by buying the grey-white heavy high-melting ductile hard polyvalent metallic element under its other name–wolfram.


“Buy wolfram–sell tungsten!”

To make matters worse, Wolf/Ram doesn’t close its books until December 31st, and bonuses–if any–aren’t doled out until February, long after employees’ Christmas giving is over.  “I don’t know how much I’m gonna make in December,” Klesjko says.  “I can’t go out and buy Terri,” his third wife, “something expensive and end up with a credit card bill I can’t pay.”


“The pink Post-It Notes are very popular this year!”

So Klesjko’s boss, Mike Nilson, came up with a unique benefit to relieve employees’ stress over Christmas shopping and keep them focused on the bottom line.  “I call it ‘Shop at Work,’” he says.  But, this reporter asks, will gifts purchased on-line arrive by Christmas?  “Are you nuts?” he replies.  “I can’t have traders tying up their computers when the market’s open.”


A world of shopping at your fingertips.

Instead of a Black Friday or a Cyber Monday, Nilson allows Wolf/Ram’s overwhelmingly male cadre of traders to take items from the firm’s office supply room during the month of December so they don’t waste valuable company time shopping for wives and girlfriends on-line or on the streets of Chicago.

“It’s been a godsend for me,” says Al Kowalski, at 55 the firm’s oldest trader in a young man’s game.  “Last year I gave my wife two eight and a half by eleven inch legal pads.  You should have seen the look on her face!”  Kowalski is divorced now, but says he understands that sometimes break-ups are best for both parties.  “Sure, I could have given her the long kind,” he says.  “But that wouldn’t have been fair to the wives of the guys in accounting, who love those fourteen-inch bad boys.”

In the supply room itself, twenty-something Mark Korsiki finds his job to be more fulfilling than he ever dreamed.  “It’s been really great to see guys come in here and put so much thought into whether they should get their wives an Acme ’Plan B’ Pencil Holder or a Princess-model Swingline stapler, in white or ecru,” he says.  “It teaches you that you need to think about someone besides yourself when you’re in a relationship.”


Eek–a mouse!

As for his love life, Mark says he’s waiting for the right girl to come along after suffering a post-Christmas break-up last January.  “The holidays are really hard on couples,” he notes.  “Last year I gave my girlfriend Cindy a 2022 desk blotter calendar, and she was so overwhelmed that I literally never heard from her again.”

The First Apartment: A Rite of Passage

Last week, with the signing of a lease and payment of first and last month’s rent, security deposit, key charges, broker’s commission and the short-term national debt of Finland, my younger son became a man. For there is no step that so clearly marks the crossing of the threshold from childhood to adulthood as that which confers upon you an interest–however temporary–in real estate. As Scarlett O’Hara’s father said to her about Tara, the family plantation, in Gone With the Wind: “Land, Scarlett, land. It’s the only thing worth living for, worth fighting for, worth dying for–not all of your crinoline dresses and gew-gaws and frippery.”


Scarlett O’Hara and father: ” . . . and remember to put a Post-It Note that says ‘Scarlett’s Soda!’ on your Diet Cokes in the refrigerator.”

As such, the move out of a college dorm and into an apartment comes freighted with heavy responsibilities, which it is a father’s duty to discuss with his son. “Say,” I said, although that part always goes without saying, “we should have a little ‘chat’ about the apartment.”

He rolled his eyes, as he always does when I put quotation marks around the word “chat.” He knows what’s coming.

“This apartment you’re moving into–it’s a big step.”

“I know, dad.”


Folk dancing: For some reason, they’re always short of men.

“It can be a wonderful thing. No more goofy flyers in the hall of your dorm urging you to join the Young Socialist League, or that more male dancers are needed for Friday night folk dancing. On the other hand, it’s a place where you’ll form friendships–and enemyships–that can last a lifetime.”

He sat there glumly, suffering in silence. I guess he figured if he didn’t speak it would be over sooner.

“An apartment comes with major responsibilities,” I said. “You’re not in a dorm anymore, so if your refrigerator breaks down–you’re on your own.”

That caught his attention. “We are?”

“Sure–if you want to keep your beer cold and your hot dogs from rotting, you’ve got to go to a used appliance store and pick up a cheap one. Your college isn’t in loco parentis any more.”

“What does loco parentis mean?”

“That your mother and I are crazy to be paying for this.”

“So–we have to haul a refrigerator up three flights of steps?”

“Um-hmm.”

“And what do we do with the old one?”

I looked at him with a disappointed surmise. “What in the hell are they teaching you kids in college these days?”

“I’m a double major–I don’t get to take many electives.”

“Still–I thought every red-blooded American boy would know what to do with a dead refrigerator in a third-floor apartment.”

“What?”

I laughed a mirthless, condescending laugh–perhaps I was a member of the smartest generation in history, as Time magazine told me back in the 60s.

“Listen up, and listen good,” I said, getting right up in his face to show him I meant it. “You throw the refrigerator off the back porch!”

He was stunned, silent, as he is always is when I reveal one of the elegant solutions of my misspent youth. It’s true what they say–mathematicians, poets and madmen do their best work in their 20′s.

“You threw a refrigerator off a porch?” he asked, incredulous. Maybe the old man wasn’t such a dummy after all.

“Of course I did. Remember, I had a summer job installing appliances. I wasn’t about to move a refrigerator down three flights of stairs for nothing!”

He was silent for a moment. “Did . . . you ever have any regrets about it?”

I sat down next to him and tousled his hair. “Of course I did, kiddo. Everybody else in my gang remembered to wear a Halloween costume when we did it. It never even occurred to me that a colorful mask–Bozo the Clown, Chewbacca–would lend an air of antic gaiety to the proceedings, as well as disguise my identity.”

“Did you get caught?”

“Throwing refrigerators off apartment porches is really a victimless crime–unless you hit somebody,” I said, drawing on the reservoirs of knowledge I’ve built up after 43 years, three months and two days of my legal career, not that I’m counting or anything. “The cops in our student ghetto had their hands full with recreational drugs.”

He seemed to be “getting” it. “What else?” he asked.

I put my arm around him, the better to convey that while the advice I was about to give him was harsh, it was the product of paternal love. “I know you’ll be tempted to get involved in . . . illicit activities now that you won’t be under the watchful eye of your dweeby graduate student dorm monitor.”

“That guy is such a turd!”

“I know–they all are. Anyway, the thing I want you to understand is that if you’re going to bring in black lights and grow marijuana in the pantry, be sure you have shades on the windows.”

“Why?”

I shook my head from side to side–kids! What do they know?

“Because that purple glow out the window is like putting a sign on the side of your apartment building that says ‘Arrest me!’”


Indoor pot farm (not mine).

“But marijuana is legal now,” he said.

“Maybe your mother and I are giving you too much allowance.”

“Why do you say that?”

“Because you’d apparently rather pay $400 an ounce for legal pot when you could grow your own for $20.”

He sounded embarrassed that I had exposed his ignorance in this very vital area of apartment living. “So you . . . grew marijuana in your apartment?”

“Of course not. No one ever grows marijuana in their apartment. When the cops come, you say it was left there from the guys who rented the place the year before.”


“The TV’s busted. Should we throw it off the front porch or the back porch?”

“What if the cops came the year before?”

“Those plants were there from time immemorial. For all you know, Moses sneaked them out of Egypt through the Red Sea.”

He seemed to understand. “Did you take the marijuana with you when you left?”

“No, I was pretty much done with pot by then. I’d smoked enough so that the THC in my system was making me paranoid. It happened to Stevie Wonder, too.”

“Who’s Stevie Wonder?”

“Just the guy who created some of the greatest pot-smoking music of all time. Anyway, your lease says you have to leave the apartment ‘broom clean’–it’s a legal term. I was the last one to leave, so I had to move about forty crates of dark, rich soil out of the place.”

“How did you do it?”

“I may have smoked a lot of pot, but it looks like my short-term memory is better than yours,” I said smugly.

“What do you mean?”

I threw it off a porch!” I screamed. I didn’t mean to, but I was growing exasperated.

“Oh, right–sorry,” he said.

“Maybe you should be taking notes,” I said, and I wasn’t kidding.

He took a pad of paper out of his backpack, and started to write: “Throw . . . pot . . . plants . . . off . . . back . . . porch.”

“Gimme that,” I snapped as I grabbed the pad and pen from him. I drew a thick line through the word ‘back’ and wrote ‘front’ over it.”

“You throw the pot off the front porch?” he asked.

“Sure–you already threw the refrigerator off the back porch. People will start to complain.”

“Like who?”

“Like the old lady who lives on the floor beneath you, with the divorced daughter who comes over every Sunday with her annoying kids.”


Look out below!

“Why does she complain?”

“Because she was sitting on her front porch, and I hit her with the dirt when I threw it off our front porch.”

“Oh,” he said as I handed the pad back to him. “Makes sense.”

“One last thing,” I said, as I held out our copy of the short-form apartment lease. “Signing this document carries a great many legal responsibilities with it. This is your introduction to the real world–for the first time, you’re on the hook, understand?”

“I guess.”

“I don’t think so. The landlord’s got the security deposit–if you mess the place up, he can keep it.”

“What if I disagree, or I didn’t do it?” he asked. I had to admire his spunk, but at the same time I had to give him a practical lesson in the slow workings of the American legal system too.

“The landlord’s got you over a barrel–he’s got your money, and it will take you at least two years to get into court to get it back. By that time, you and your roommates will be scattered across the country. You won’t want to come back for a lousy $300 each.”

“So what do we do?”

“You do like my friends Richard and Carl. Richard went on to a third-rate medical school in the Caribbean when none of the U.S. schools would have him, and Carl turned into a sadistic U.S. Marshall. Two very savvy guys.”

“What was their solution?”

“They got a couple of packs of Jimmy Dean’s Pure Pork Sausage, and stuffed it into every nook and cranny in the apartment before they left.”

Available in Kindle format on amazon.com as part of the collection “Kids: They’re Cute When They’re Young.”

What’s Wrong With Stella by Starlight?

It was one of those moments when you realize you are hopelessly out of step with your generation.

My girlfriend had declined to move to Boston with me and so I was looking for roommates.  I happened to mention it to a guy named Phil, a philosophy major whom I knew shared an interest in jazz.  He said he was moving to Boston to go to graduate school too.  “That’ll be great!” I said, assuming too much.  “What with your record collection and mine, we could . . .”

He cut me off, and rather sharply I might add.  “Uh, thanks but no thanks,” he said.

“But . . .”

“No offense, but you probably listen to ‘Stella by Starlight.’”

I didn’t have to speculate as to what I’d done to deserve my reputation as a moldy old fig, the term beboppers used to refer to musicians of Louis Armstrong’s generation and their fans.  I couldn’t have whistled the tune to ”Stella by Starlight” on a bet, but I knew what Phil meant.  William Thomas McKinley, a musician and composer from whom I took an undergraduate course in jazz at the University of Chicago in the early seventies, had said that the only proper moods left for jazz to express were violence and introspection, and I was definitely a member of a retrograde faction.  I believed, in flat earth fashion, in melody.

[FULL DISCLOSURE: My first grade girlfriend–daughter of a jazz bassist named “Jake”–was christened “Stella,” but everybody else called her “Patsy,” the nickname her elder sisters gave her.  I declined to follow the dictates of fashion then, and continued my policy of strict constructionism through fifteen additional years of schooling!  I recently saw “Stella” at my 50th high school reunion–and finally gave in and called her “Patsy.”  I figured a half century was too long a sacrifice and might–as Yeats put it–make a stone of the heart.  Carry on.]


William Thomas McKinley: Why the long face?

McKinley had once invited one of his protegees, a young saxophonist, to perform for the class.  The fellow proceeded to honk on his horn for perhaps fifteen minutes, producing sounds that recalled a man stomping on a bag with a goose in it.  When the guy stopped–I won’t say “concluded” because the thing he produced seemed to have no beginning or middle, although it thankfully had an end–he spoke a bit about his, uh, art.  “I could go on like that for hours,” he said after McKinley praised him.

I had the temerity to put my hand up for the first question.  “Why on earth would you want to?”

In a historical sense, Phil and McKinley were right; at that time jazz had devolved to a point where your choices were pretty much limited to angry musicians, who sounded like they were having arguments with their instruments, and those who were neurotic and depressed, or who sounded like it because they were on heroin, like Miles Davis. Those who had no allegiance to melody fell into step; those who felt that jazz had fled from a city in the midst of its Golden Age–the Jewish/African-American renaissance of music that has come to be known as the Great American Songbook–to a desert plain where all was arid and lifeless, were bereft.

Kingsley Amis, one of the funnier novelists of his generation, once said of the neurotic mode that “if you really feel that life could not possibly be gloomier, try any slow Miles Davis track.  It will suggest to you that, however gloomy life may be, it cannot possibly as gloomy as Davis makes it out to be.”


A smiling Miles Davis, before he wised up and got depressed.

I was then a member in good standing of several circles of jazz listeners; one connected two Poles, a guy named Ed and another named Richard, both from the Polish neighborhoods of Chicago and both into heavy chaos in their music.  The axis on which their favorite music extended was, in cosmological terms, made of dark matter, those modal solos that make the room spin even when you’re not high.  The only representative from the neurotic camp I knew was a woman named Suzie who went on to become an anchorwoman in Los Angeles after college.  She had little bruises on her feet where she’d shoot heroin since she didn’t want tracks to show on her arms where they’d ruin the effect of her little black cocktail dresses.  Junkies favored Miles since, if all you can do with your body is nod your head, his music provides the perfect tempo.

But above and beneath this two dimensional plane there were two entirely different realms composed, for want of a better term, of light matter.  Beneath, there was the jazz of the 30’s, sometimes hot, sometimes sweet; Joe Venuti, Eddie Lang, Django Reinhardt, played by a friend of mine from New York.  At some point he’d hit a rip in the space-time continuum, slipped into the past and never returned.  He played the sort of music that one associates with the sound track of Max Fleischer cartoons–Betty Boop, Popeye, et alia, as the lawyers say.


Betty Boop, sashaying.

Above it, and reaching to the heavens, were the be-boppers and their precursors; Lester Young on tenor sax, Charlie Parker on alto, Dizzy Gillespie on trumpet, Bud Powell on piano, Boston’s Roy Haynes on drums.  Their music was filled with the same sense of joy but was more complex harmonically and rhythmically.  They had a firm home base in the blues but weren’t embarrassed to use popular songs as the basis for improvisation.  It was Parker, the most gifted of them all, a man who couldn’t breathe without creating wildly inventive figures, who heard “Stella by Starlight” in its original format–as a recurring theme in the ghost movie “The Uninvited”–and decided to use it as a vehicle for his protean flights of fancy.


Roy Haynes

Which is why I say, in the manner of an old Broadway musical segue, what’s wrong with “Stella by Starlight”?  I mean, after all: if it’s good enough for Parker, the greatest jazz soloist of the latter half of the twentieth century, if not the entire span of jazz’s first hundred years, why isn’t it good enough for wannabe hepcats like Phil?

The graphic title to Anthony Braxton’s Composition No. 65: “Baby, I love you like a quadratic equation!”

Part of the reason is pure snobbery; if a song first hits the public’s ears from the loudspeakers of a movie theatre, how cool can it be?  For part of the pose of the avant-garde is always to define one’s self by what they don’t want to be–the schmucks who suck up popular culture.  Members of this school of thought, those two Poles being exemplars, like their art obscure and irritating; you “enjoy” it as a show of strength, like the guy at the health club who has to grunt to let others know how hard he’s working while you’re just cruising along there on your “elliptical.”

Thus instead of a song you could actually sing along to, you get the likes of Albert Ayler, Archie Shepp and Anthony Braxton, who named his compositions with symbols, anticipating the androgynous R&B artist Prince who took a break from ordinary orthography when he changed his name to an unpronounceable symbol.  Progress in this world view is represented by exiling emotion from music and replacing it with empty virtuosity, in much the same way that aliens in science fiction films are depicted as having oversize heads and aetiolated hearts.


Charlie Parker and trumpeter Red Rodney

The problem with this s8j#coooxl of m13uxic–now they’ve got me doing it!–is that not all change is progress, especially self-conscious change, and not every musician is a composer.  There’s a reason why jazz musicians have a strange affection for chestnuts such as “Stella by Starlight,” “When Sonny Gets Blue,” and even, God forbid, “Danny Boy,” a/k/a “Londonderry Air.” They have pretty melodies, and long lines on which to hang your musical ideas.

Before Davis decided that he was incapable of making mistakes and slowed down to a tempo at which they were almost impossible to make (I can point out a few flubs to you even during this phase of his development), he had also played tunes taken from movies, most notably “Green Dolphin Street” from the movie of the same name, and even “Someday My Prince Will Come” from–of all things–a Disney movie, “Snow White and the Seven Dwarfs.”

Those who fret about the smallish audiences that jazz attracts these days must eventually face this fact: an art form that turns its back on patrons, the way Miles Davis did both literally and physically in his dotage, can’t complain when the paying customers turn around and walk out.  If you start with music people like to hear, and not the self-indulgent meanderings of a musician out to prove that he’s a genius, you might persuade them to come back.

The Tribe of Cyber Monday

Thanksgiving is a time for reflection for me, especially when I arrive back at work on the Monday after Black Friday and try to come up with something, anything, to be thankful for.  There’s the unlimited free photocopies–check your bill to make sure I didn’t slip in a ream or two of paper as “miscellaneous.”  There’s the new coffee machine in the lunch room, which is supposedly as good as the-brand-name-that-shall-not-be-mentioned-but-is-a-character-from-Moby Dick.  I’ve tried it and I have to say–office coffee is always office coffee; the problem is, no matter how good it is, you’re surrounded by people from work when you drink it.

No, I don’t squander my thankfulness on the workplace, I reserve it for cool swag like my new Ralph Lauren moccasins!  They’re made from micro-suede, which is why they’re so damned expensive; it’s much harder to drive a herd of micro-cows from Texas to my hometown of Sedalia, Missouri, where Rowdy Yates (Clint Eastwood) on the TV show “Rawhide” would put them in a micro-cattle car and ship them to the mini-stockyards of Chicago.  You lose one of them teeny-tiny longhorn steers, you’ll be looking for him with an electron microscope, pardner.

I’ve refused to buy a pair of these haute-fashion shoes for a long time.  You can safely get rid of yours now, because I’m a canary in the coal mine of fashion; once I get “hep” to a style, all the cool people drop it like a twelve-pound bowling ball with Mazola oil in the holes.  I resist style-changes on general principles, but in this case there were stronger cultural forces at work: one, they seemed a bit too casual, like something a guy shouldn’t wear outside his den; and two, moccasins are the shoe of choice among Native Americans, and so there was the issue of Cultural Appropriation to consider.  We have a full-time Diversity Coordinator now, and I didn’t want her coming down on me like a ton of interoffice memos just because I’m a reluctant slave (is there any other kind?) of fashion.

Add to these qualms the fact that the fourth Thursday in November has now become a battle between conflicting views of our national day of thanks.  In my boyhood, we were taught how the occasion was a model of comity and brotherhood, with Squanto of the Patuxet tribe and ninety (90) Wampanoags joining the Pilgrims for a friendly feast.  The Narragansett tribe had sent an ominous threat–a bundle of arrows wrapped in a snake’s skin–but kept their distance, thereby avoiding the First Political Argument in Thanksgiving Day History.


“It’s a two-day ride to Sedalia!”

But I grew up in the southern Midwest, at the end of that Chisholm Trail from Texas, and so have actual real-world experience with some tribes.  As a boy I used to spend my allowance on Osage trinkets hocked around the Lake of the Ozarks resort area, and as kids we visited a Cherokee reservation in Oklahoma, where we dressed up in native costume.  Later as a teen I dated a half-Cherokee woman, and all this background stood me in good stead when I need to review the bona fides of the Senior Senator from my state for dubious claims of ethnicity.  To paraphrase George Orwell, there is no claim so ridiculous that the faculty of Harvard Law School won’t believe it.

And so, I’m tentatively comfortable in my new shoes, once my younger son has returned to Texas and I no longer hear laughter at his old man’s feeble attempt to get within shouting distance of current trends in men’s haberdashery.  I try to return to work with a light heart as I prepare for the annual sprint to the end of the year, as clients rush to close deals they’ve neglected since, oh, around Labor Day.

But still, it just doesn’t feel right to wear moccasins to work, for the reasons cited supra (above), as we say in the legal biz.  I’m more than a bit self-conscious as I step into my office and turn on my computer, whose first message to me is from Human Resources: “Please complete your annual review of Sneezes Three Times,” the message says, causing me to scratch my head.   What the hell does that mean?

I look up and stare off into the middle distance when my colleague Dave from down the hall pops his head in my office.  “You want to join us for lunch today, we’re wining and dining a client and Smokes Outside had to cancel?”

Sneezes Three Times, Smokes Outside–dawn breaks on Marblehead, as we say here in Massachusetts; I’ve been cursed by my moccasins, and now my partners all have descriptive Native American tribal names.  Not to mention the paralegal across the hall who can never sneeze just once–oh no, they come in threes, like the Holy Trinity.

“Uh, sure,” I say to Dave, who I now understand is “Afraid of His Shadow.”  The guy has to turn every simple deal into a forty-page document with indemnities, exculpations and in terrorem clauses–so scary you shouldn’t even ask about them.  “Who else is coming?”

“There’s Slow of Brain from litigation, and Says What She Thinks from employment law.”

“Is that really a good idea?” I ask, causing Dave/Afraid of His Shadow to hesitate and reconsider.

“She does have a tendency to turn things . . . controversial,” he says.  “On the other hand, Slow of Brain always causes the conversation to congeal into a thick goulash of conflicts of interest.”

“I know what you mean,” I say ruefully.  I had to stop eating with the guy, he made me nervous with the gory details he’d share at lunch about people getting fishbones stuck in their throats at restaurants, with St. Blaise–the patron saint of people who get fishbones stuck in their throats–nowhere in sight.


St. Blaise:  “Kid, next time just get the damn chicken nuggets.”

“I’ll ask Talks About Sports, he can fill in the gaps between hot-button political issues and deadly dull lawyer-talk.”

The rest of the morning passed uneventfully, with me scouring the internet to find some kind of wikasa wakan (medicine man) cure for my condition.  It looked like my best bet was time in a sweat lodge–I could take a steam bath at my club–but then I got jammed up and couldn’t sneak out before it was time for the business development dog-and-pony show.

We met in the lobby of Afraid of His Shadow’s club, where he made the introductions.  “These are my partners Says What She Thinks, Slow of Brain, Talks About Sports, and Doesn’t Give a Shit”–this last moniker was apparently mine for my rapidly-diminishing level of enthusiasm as I start my descent on the glide path to retirement.

“Nice to meet you,” the senior banker–who is introduced as Old Grey Fart–says.  “I’d like you to meet Head Ducked Low”–a middle-aged guy who looks like he goes out of his way to avoid difficult decisions and get out with a pension in maybe a decade.


“‘Doesn’t Give a Shit’ is an unusual name–how’d you get it?”

We shake hands, and then Old Grey Fart turns to a woman wearing the full Assistant Vice President-starter set.  “This is Floppy Bow Tie,” he says, and I have to say, she’s wearing a perfect replica of the kind of outfit that young female professionals–including my wife–wore back in the distant days of my first white-collar employment: blue suit, white ruffled blouse, little string of pearls and the inevitable floppy bow tie, as the name suggests.

We get in the elevator and go up to the 39th floor, where we are met by the maitre d’, who greets us and seats us at a quiet table looking out over the Southeast Expressway, the World’s Largest Moving Parking Lot.


Floppy bow tie:  So 80’s it hurts.

“How ’bout those Patriots?” Talks About Sports says as we sit down, and there follows a good five minutes of palaver about completion percentage, quarterback rating, yards-per-pass and frequent flier miles.  The two women in attendance pay differing levels of attention: Floppy Bow Tie has been told she has to develop an interest in sports if she wants to succeed in Boston, so she’s all ears.  Says What She Thinks has already made it, with several million-dollar malpractice verdicts against local teaching hospitals to her credit and is checking out her most recent manicure to see whether she’s going to sue her nail salon.

After we’ve exhausted the possibilities of all the wild-card opponents, talk moves to the shore of the ocean of business, and we gingerly dip our toes into the cold seawater of commerce.  “I assembled this team to demonstrate that our firm has a deep bench, and can serve all of your needs,” Afraid of His Shadow says, but Slow of Brain undercuts him almost immediately.

“Of course, we would have to check for conflicts if you want us to sue somebody we represent or handle a transaction against an existing client.”

“My services go to the highest bidder,” Says What She Thinks says.  “I’m not going to have somebody stop me from taking a case because we did a will for the CEO’s maiden aunt twenty years ago.”   She’s living up to her name.

“I don’t know how you do it,” Floppy Bow Tie says, all wide-eyed innocence.  “Reading those big long documents all night long, then marching into court the next day and fighting it out in front of a judge.”

“That happens once in a blue moon,” Says What She Thinks says.  “Mainly I just threaten people on the phone, by letter, and increasingly–by text message.”


“I’m the boss, and I say you’re all eating broccoli.”

“Gosh!” Floppy Bow Tie says, and I can see that Afraid of His Shadow is getting nervous, thinking his colleagues are going to blow a new client for him by coming off as obnoxious, unlike the 1% of the legal community that isn’t.

“We’ve talked about ourselves enough,” he says.  “How are things in your world?” he asks Head Ducked Low.

“It’s a great company,” he says, then falls silent, waiting for his boss to take over again.  Must have taken his inoffensive pill this morning.

“We’re on track to have a good year,” says Old Grey Fart, as lunch is served.  “Unless something crazy happens with the economy.”

“At least we’re better off with that wing-nut out of the White House,” Says What She Thinks says.  We’re a very blue state, so it’s not like she was taking a big chance with that expression of conventional disdain, but Old Grey Fart screws his lower jaw into one of his three chins and his face takes on an expression like he just saw a cockroach in his Cobb salad.

“Couldn’t complain about the economy under Trump,” OGF says, then sticks his fork in a hard-boiled egg like he’s bayoneting a dummy at Marine boot camp, where he spent the balmy days of his youth.

“A bad economy is usually good for me,” says Slow of Brain.  “When there’s less money to go around, everybody sues each other.”  In his world, this counts as edgy humor.

Afraid of His Shadow starts to cough–something went down the wrong way when he heard Slow of Brain break the A#1 inviolable rule of business lunches: Never, ever, ever say anything that sounds like you’re disagreeing with the business prospect.  I decide it’s time to jump in to save the day, although it doesn’t seem fair that this duty should fall on the shoulders of the brave named Doesn’t Give a Shit.

“Let’s talk about . . . kids!” I say brightly, knowing that this is the best way to end a business lunch on a friendly note.

“Mine’s in rehab,” says Says What She Thinks.

“I’m not married,” says Floppy Bow Tie.

“Kids are all grown,” says Old Grey Fart.

“Don’t have any,” says Head Ducked Low.

“I’ve got a twelve-year-old boy with incurable Osgood-Schlatter’s Disease,” says Slow of Brain, and everyone else murmurs condolences sotto voce.  “Unless a miracle drug is discovered, there’s little hope he’ll live past the age of 90.”

It’s Afraid of His Shadow’s Turn.  “Spencer just dropped out of college, says he wants to make stained glass windows.”

“Is there much of a market for that?” Old Grey Fart asks.

“Not since the Protestant Reformation, but he says he’s committed to”–Afraid of His Shadow gulps as he forms the next words with difficulty–“his art.”

“How about you?” Old Grey Fart says looking at me with an avuncular smile, even though I’m pretty sure he’s not my uncle.


“Hey–I already put my hand on that!”

I smile nervously.  I was the one who brought up the topic, but I . . . don’t really have much to say about it.

“My wife and I . . . we’ve decided that kids are just not in our future.”

Everyone nods politely, tactfully recognizing that this is very much a personal decision.

“It was a tough choice,” I continue. “We’re going to tell them at dinner tonight.”

Poetry on a Split Shift

The task of being a poet is not completed at a fixed schedule.  No one is a poet from eight to twelve and from two to six.

Jorge Luis Borges, lecture on Blindness, 1977

I should have known that my career as a singing waiter was doomed to failure.  I had the garcon chops, there was no denying that; I could remember four orders, with appetizers and salads, without touching the pencil behind my ear.  I could serve from the right and clear from the left.  I could even interrupt a conversation in an ingratiating manner to ask if anyone wanted coffee or dessert so as to speed folks out the door and increase my employer’s “gross” by faster “turnover,” to use the base lingo of the dining industry.  There was just one problem; I couldn’t carry a tune in a wheelbarrow, much less a bucket.


“Breathes there a man with soul so dead/Who never to himself hath said . . .”

 

And so  I was bounced, given the old heave-ho, kicked down the stairs as so often happens to tone-deaf singing waiters.  And now I try to make ends meet in a less remunerative field.  As a poetry waiter.

Believe me, demand is low, so none of the poetry restaurants stay open all day.  If you’re stuck in the “Verse ‘n Veal” field, you’re gonna have to work a split shift; 10 to 2 for the lunch crowd, six to ten for dinner.  Nothing ruins your day like having to be on call as a poet for twelve hours, even though you only work eight.  You can’t go to the beach, you can’t take the road less traveled by, you can’t wander lonely as a cloud.  You can’t do nothing!  Your whole day is shot.

Plus the money is nowhere as good being a poet waiter instead of a singing waiter; poets for show, minstrels for dough, is what they been saying since the Middle Ages, which raises the question:  How did they know they were in the Middle of history way back when, with so much more time to pass?

No, if you want the big tips you’ve got to sing.  Tips for poet waiters start at 15% and maybe–maybe–get up to 18%.  If you’re lucky.  Singing waiters are to poet waiters what rock stars are to poets; the take from the t-shirt stand at a typical rock concert could buy you a half-dozen poets-in-residence at four-year liberal arts colleges.  Singing waiters expect 20% minimum, and if you short ’em the next time you come in with your secretary they sing “Your Cheating Heart.”

poetryslam
“You say you want scrod, no doubt about it/But I tell you you’re screwed pal, because we’re out of it.”

 

This morning was rough, some guy tried to trick me by ordering “the juice of an orange,” knowing there’s no word in the English language that rhymes with the last word in that line, but I took his best shot and counterpunched:  “You’ve ordered a glass filled with juice of an orange/Your voice–it squeaks like a rusty door hinge.”

His jaw dropped, nearly killing one of his pigs in a blanket.  He should have rewarded me for rhyming on my feet, but no, he dinged me, tipping only 17.99999%.  I suppose if I had world enough and time (hat tip to Andy Marvell!) and could carry that out to a million decimal places it might turn into 18%, but the universe is expanding, I haven’t got time.


Andrew Marvell: *urp*

 

The dinner crowd begins to filter in and I recognize my least favorite customers; its Judge Samuel Fishback and his wife Dottie, who writes occasional poetry for our local paper, The West Haven Teapot-Picayune.  Dottie’s a sweet gal but for all the Yankee swaps and hostess gifting back-and-forth she engages in, there’s one present she’s never received; the divine afflatus that would enable her to write an actual, you know, like poem, as opposed to some galumphing doggerel with a meter like a Packard sedan, umpty-dumpty-dumptying along a bumpy metric highway.


Packard: Poetry in motion, at rest.

 

The Judge, by contrast, is all prose, proving the falsity of Clarence Darrow’s gag “Inside every lawyer is the wreck of a poet.”  If there’s a wreck of a poet in his neighborhood it’s probably one he ran over in his late-model American-made sedan.  On purpose.

“Good evening,” I say after the hostess seats them, although it’s rarely a good evening with the Judge.  He generally has a whiskey sour first, then a whiskey sour second, then hits the chardonnay.  If he’s coming from his club he’s already had a beer or two, so by the time he sits down at Chez de la Maison Pommes Frites, he’s more stewed than the prunes in the assisted living center I hope he’s carted off to before long.

“Hello there!” Dottie replies with a beaming smile, while the Judge goes out of his way to give me a hearty “Hrumph.”  Must have broken 100 on the golf course.

“Written anything lately?” I ask Dottie as I fill up their water glasses.

“I certainly have!” she says as she reaches in her purse, pulls out her “readers” and a sheet of lilac-colored paper.  “Listen to this,” she says as clears her throat:

 


Dottie’s whimsical “readers.”

 

How lovely to be a poet,
I feel bless-ed every day,
That I can put down on paper
My thoughts so light and gay.

If really makes me feel sorry
for someone who isn’t bitten by the “bug”
of verse so pretty and beautiful,
it’s like I’m a butterfly and he’s a slug.

The unspoken accusation hangs heavy in the air, and I move to dispel it by launching into my heartfelt recitation of the evening’s specials.

We’ve got lobster risotto that’ll float your boat-o,
and a steak au poivre that’s to die for.
The cost for each is $19.95 in toto,
so the bill won’t be something you’ll cry for.

“Oh, you are so witty!” Dottie says, but I demur:  “Really, that was nothing,” and for once I’m being sincere.  “Are you ready to order or shall I give you a few minutes?”

“How about a drink?” the Judge asks, like a Bedouin parking his camel after a 40-day trek in the desert.

“Sure–the usual?”

“Yes, a whiskey sour, and I’ll have the sirloin with baked potato.”  That’s the Judge for you; just when you think he’s going to order the same old thing, he surprises you and orders the same old thing.

“Don’t you think you should have a salad?” Dottie asks with wifely concern.

“Rabbit food!” the Judge snaps.

“It helps to keep you regular,” she adds as she touches him ever so lightly on the arm.  I discreetly avert my eyes–never noticed that exposed beam ceiling before!

“All right,” the Judge says with grim resignation, as if he’s a prisoner on death row who only got his second choice for a final meal.

“Et vous?” I ask Dottie with what I hope is a lilt in my voice.  She often writes-up the Judge’s tip when he tries to stiff me.

“You mean ‘Et tu?’–don’t you?” she asks coquettishly.

“You’re bad!” I say, not meaning it.

“I’ll have a Rob Roy,” she says.  The Fishbacks are dues-paying members of the Society for the Preservation of Antiquated Cocktails.

“And for dinner?”

“The lobster risotto sounds lovely!” she says with a big smile.

“That’s funny, they’ve been cooking it all day and I haven’t heard a peep out of it!”

“You’re a stitch!” Dottie says.  She’s brought her folding fan, and she gives me a little love-tap on the wrist with it.  “And I’ll have a Caesar salad, hold the anchovies.”

“I tried holding them last night, but they complained I was getting fresh!”

“You!”

I go back to the kitchen and place the order, but the manager is giving me a big scowl.  “I heard that alleged poem you recited to them,” he says surlily, and try saying that five times fast.  “You’d better shape up.”

“Why?” I ask.  “Am I undermining the vibrant bohemian life of your little boit de nuite?”

“No, you dingbat–there’s a restaurant critic here tonight,” he says and he nods in the direction of a table off in a corner where I see–elena gotchko, my former girlfriend and editoress-in-chief of plangent voices, the little poetry rag that I started with her back when we were demon lovers.

“She’s not a restaurant critic,” I say.  “She’s a lower-case poetess, and an awfully bad one at that.”

“That’s not what she told me when she walked in.”

“Probably just trying to cadge a free meal.  There’s not a lot of money in poetry, as you well know from the low-three figure checks you write me every week.”

He sniffs, and not because he’s checking the lobster bisque.  “I pay the going rate, so get going,” he says, before turning on his heel and returning to his maître d’ station.

And so I’m forced to confront my past, and the awful years when I wandered in the poetic wilderness after elena ejected me from the plangent voices offices, displacing me with that awful buck-toothed Brit Bendall Hyde as Managing Editor.  I was a ship without a home port, thrown back upon my own devices, which were mainly handy counter-top appliances and stereo components.  I eventually clawed my way back to the top of highly low-paid world of highbrow quarterly poetry, to the point where I now have three–three!–tote bags from college literary magazines to choose from when I go shopping at our local natural food store.

But to paraphrase Santayana, those who do not confront their past are still doomed to run into their old girlfriend when they work a split-shift as a waiter in a restaurant, so it really doesn’t matter.  All I know is, I’m going to put on the best damn performance by a waiter-poet since e e cummings told a woman “86 on the noisettes de porc” at Le Bocage, the first classic French restaurant in Massachusetts.

It’s salads first, so I come out with the small tray, a Caesar and a “house” salad, so called because it tastes like it’s made with materials bought at Home Depot.  I cast a gimlet eye in elena’s direction and begin:

Here are your salads, I also brought pepper,
in a grinder as big as a bazooka.
Don’t take too much, cause the stuff’s got a punch
that will deck you like you’re a Palooka.

For some reason I’ve finally tickled the Judge’s fancy, and he starts to laugh, drawing the attention of several diners, including my beloved lower-case elena.  Maybe–just maybe–I can make her jealous enough to ask me back into her life and a cushy sinecure at plangent, as it’s known by writers who want to preserve every precious syllable.

Now it’s Dottie’s turn; it’s a bit like playing tennis against your grandmother, you have to humor her:

I don’t want pepper, you ought to know better,
my digestive system it does not please.
I would, on the other hand, greatly enjoy,
a little more parmesan cheese.

“Coming right up,” I say, and as I walk away I catch elena’s eye, which she’s cast in my direction.  I saunter over, even though she’s outside my “zone,” and try to chat her up amiably.

“Well hello stranger!” I say in a voice that could have been exorcised from a Chamber of Commerce Sergeant-at-Arms.  “Long time no see!”

elena was always, if anything, more of a bear about avoiding clichés and small talk than I, so she greets me with a sort of sneer/smile–a snile?  a smeer?–that could flash-freeze a quart of strawberries.

“hello,” she says, sticking to her self-conscious lower-case attitudinizing.  “will you be my server tonight?”

“Sorry, no,” I say with mock regret.  “Although you should be able to hear my extempore poetry from where you sit.”

“and why would I want to do that?” she asks bitterly.

“I’ve always wondered–if you’re such a non-conformist, why do you use punctuation marks?”

“You’re”–I had her so riled up she started off with a capital!  “you’re playing with text versus speech now, and don’t think i don’t know it.”

“nice to see you,” I say, mocking her no-capitalization affectation.

I head off to the kitchen, where the Fishbacks’ entrees are ready, but I’m suddenly faced with a poet’s predicament; how do you summon the muse to inspire you over–meat and potatoes?

“Table 3 up,” the chef says, and I gulp with dread.  Steak, bake, cake, drake, fake etc.  All pretty pedestrian.  There’s no way I’m going to knock elena’s self-consciously artistic vertical striped socks off with that selection of rhymes.  There’s only one thing to do.

“Hey chef!” I yell.

“Yeah?”

“Give me the cooking sherry!”

He plays dumb for a moment, but I know from experience that drink on the job is the occupation, not the occupational hazard, of a cook.

He hesitates, looks around to make sure the boss isn’t watching, then reluctantly and surreptitiously pulls a green bottle of rotgut fortified wine out from under the counter.

“Leave me some, okay?  It’s gonna be a long night,” he says.

“I will,” I reply, “but I’ll try to make your evening fly past faster with some alcohol-enhanced verse.”

“Whatever,” he says, and tourns back to a tournedos of beef.

I take a pull, as much as I can stand, and the varnish-like finish of the jerez hits my soft palate like dragster fuel spilling on asphalt.  I shake my head not to clear my brain, but to mix things up.  I cast a steely glance across the dining room, and launch my boat laden down with verse across the godawful carpet towards the Fishbacks.

Here’s your steak, I say to the judge,
please chew each morsel thoroughly,
or else to the emergency room you’ll fly
and we’ll bury you tomorrow, quite ear-i-ly.

The patrons gasp–have I been so gauche as to recite a poem that hints at the death of a diner?  The only way I can redeem myself is with a chivalric tribute to Dottie, the fair damsel who suffers under the Judge’s pig iron rule.

To you, Dottie, I now proclaim,
I’ve brought the lobster risotto.
You were supposed to get a side of manicotti,
but I decided on you I would dote-o.
You have such a slim, girlish figure, you know,
and it’s surely one worth preserving,
so ix-nay on the carbs is priority uno,
as your profile I’m fond of observing.

There are, of course, some philistines in the crowd who don’t get my innovative a-b-a-b-c-d-c-d rhyme scheme, but elena–who’s been limping along with her trademark a-a-b-b-c-c-d-d pattern for what seems like decades now, is suddenly all ears.  And other facial features, of course, but her lobes are throbbing, as they once did when I nibbled on them while we stood over a hot Xerox machine, churning out our first edition!

She rushes up to me and says “you–you’ve progressed quite a bit since . . . i dumped you,” with more than a trace of rue, I might add.

“Poetry is hard work,” I say, chucking her under the chin so our eyes can meet through her sloppy self-cut bangs.  “If . . . we got back together, perhaps we could pull our oars in tandem, like double-scullers.”

She’s about to melt in my arms when a projectile piece of meat hits me in the ear, expelled from the throat of the Judge by the force of Dottie’s Heimlich maneuver.  She looks at me over his shoulder now that the coast . . . and the Judge’s throat . . . is clear, and she appears more than a trifle–miffed.

“My husband could have died while you were goofing around!” she says.

“Sorry about that, he’s never had a problem before,” I say.  “Are you okay?” I ask His Honor.

“I am now but it was a close call,” he says.  “I should have known better.”

“why’s that?” elena asks.

“Because his poetry always makes me gag.”

 

Available in Kindle format on amazon.com as part of the collection “poetry is kind of important.”