As Roadside Elegies Spread, Cops Take on Poetry Duty

FRAMINGHAM, Mass. As the Thanksgiving vacation week began Lieutenant Jim Hampy of the Massachusetts State DMVD was patrolling the Metrowest area of Boston, on the lookout for college students home from school with too much time on their hands and beer in their bellies. “I’m not sure how much longer I can take this beat,” he says with resignation as he watches a carful of twenty-somethings beat a hasty retreat when they spot his car parked behind Ye Olde Package Store, a faux-Colonial retail liquor outlet that is the last place to buy booze before a driver goes through two “dry” towns. “The things you see out here–it’ll turn your stomach.”

Hampy decides not to give chase and takes a sip from his “lahge” Dunkin Donuts regular coffee. “I got bigger fish to fry tonight,” he says. “I been tailin’ a gang of girls for almost a year now. I got a suspicion they’ll be out in force, since they’re probably sick of their parents already.”

The instincts of the “statie,” as his adversaries in this cat-and-mouse game refer to him, prove correct as a Volvo blasts down the highway loaded to the gills with six girls, singing songs from their senior year in high school. “Suspects heading west on Route 20, send backup,” he says as he accelerates out of the parking lot, without, however, turning on his siren or flasher. “I don’t want ‘em to know I’m coming,” he says.

The girls have a quarter-mile lead that is lengthened when Hampy is forced to stop at a red light, but he seems unperturbed. “It’s okay, I want to catch ‘em in the act,” he says, and his game plan works to perfection as he pulls up at the dangerous intersection where the girls have set up a makeshift–and illegal–memorial in honor of Amanda Skrulnik, a classmate of theirs whose cheerleading career was tragically cut short when she broke her femur in a car crash last New Year’s Eve.


“I . . . I tried to rhyme ‘awesome’ with ‘possum.’”

“Those things are a fire hazard, and people could mistake them for a traffic signal,” he says unconvincingly, referring to the tall votive candles the girls have kept burning since that horrible night. As he cuts his headlights and cruises slowly to a stop, it becomes clear that safety concerns are secondary to him, however. “Worst of all is the poetry,” he says, shaking his head. “I hope no daughter of mine ever writes nothin’ as bad.”

He exits the car along with this reporter and makes his presence known to the girls, who are sobbing quietly. “Good evening ladies,” he says, and it is clear to this reporter that he maintains an air of professional calm only with difficulty. “I thought we reached an understanding there last summer,” he says, as he plucks a piece of paper from the paws of a stuffed animal at the roadside shrine and begins to read aloud, his voice at times betraying his overflowing emotions:

We really miss you, Dear Amanda,
On the sidelines where you cheered with flair.
We know your favorite animal was the panda
but we could only find this Teddy Bear.

Hampy looks at the girls one by one, as if scanning a police station lineup. “I want to know who wrote this,” he says gently but firmly. “Tracy? Lindsey? Chloe?”

The girls from the back seat are silent, so he continues. “Siobhan? Whitney? Courtney?”

The last-named friend finally cracks. “It wasn’t any one of us–it was all of us, a joint effort,” she says.

Hampy groans involuntarily. “Haven’t I told you–poetry is the product of a unique and individual vision. It’s not something you write by committee, like the mission statement of a non-profit that wants to rid the world of trans-fats. Now clean this up and go home.”

The girls are properly chastened and get to work at a routine they have down pat; extinguishing the flames, removing beads, stuffed animals and signs, and crumpling up their roadside elegies, as commanded by a duly-authorized officer of the Massachusetts Department of Motor Vehicle Doggerel.

On Saturday morning Hampy spoke is the speaker for a public service assembly at Pumpsie Green Consolidated Regional High School, lecturing a gym full of bored and inattentive kids about the dangers of roadside poetry. “For the first offense, all you got to do is take the Junior Operator Scansion Adjustment Seminar,” he says, drawing no reaction from the students. “It’s three Saturdays,” he adds, eliciting sighs and the rolling of many eyes.

“Second offense, you got to go to the Do Not Go Premature Into That Good Night Retreat.” The young men and women are paying attention now, as Hampy pauses for effect. “That’s a whole weekend.” Groans are heard from several students, but Hampy cuts them off to let them know it could get even worse.


“These are good kids–they just write crappy poetry.”

“Finally, after three violations or refusal to comply with prescribed meter or rhyme scheme mandated by court order, we impose the death sentence.”

“What’s that?” asks Wade Aucoin, a pimply 15-year-old in the first row of the bleachers.

“Permanent revocation of your poetic license.”

Available in Kindle format as part of the collection “poetry is kind of important.”

My Y Chromosome

I kinda like my Y chromosome–
I take him with me whenever I leave home,
no matter where or how far I roam.
As you may have guessed by now,
he’s the subject of this poem.

Without my Y, I’d have to watch
a lot less televised sports,
and I couldn’t wear cargo shorts.
You think I’m copping an attitude?
You don’t want to see me even partially nude.

I know a lot of folks groan at dad jokes,
but without the guys who make them
I ask you—where would we be?
There wouldn’t be any moms to tell ‘em–
to reproduce you need someone with a Y–like me.

No, I like my little Y guy,
I’m not going to tell him to beat it.
We play by our own rules:
When I drop food on the ground,
He says “Go ahead and eat it.”

We’ll leave the finer things in life
to the folks with two XX’s,
and thank our lucky stars that
that–at last count–
there were two sexes.

 

Mamas Don’t Let Your Babies Grow Up to Be Poets

With apologies to Waylon Jennings, not that he needs them.

They’re hard to love and harder to hold.
They’ll give you a poem ‘stead of diamonds or gold,
Ripped off from Auden, or maybe from Yeats
Somethin’ that won’t make them rich as Bill Gates.
As each night fades into a new day
They can’t find a job with their MFA’s.

They think it’s a safe job hanging ’round a faculty lounge.
But when mealtime comes, they find that they have to scrounge.
There isn’t much market our there in the world for sestinas.
They’d make more as a cop, or even a ballerina.
They’re wrong in the head, I think you know that for sure
Their poems are the symptoms, and lettin’ them write is no cure.

Poets git lost when they’re out drivin’ around,
Wanderin’ lonely as old Bill Wordsworth’s cloud.
They takin’ the road less traveled, like Robert Frost
But unlike him they tend to get lost.
They’re anal retentive about every one of their commas,
Freud would have a heyday analyzin’ their mommas.

Mamas, don’t let your babies grow up to be poets
They’re headed for ruin for sure and both of you know it.
Let ‘em be doctors and lawyers and such,
the schoolin’s as long, but poets don’t make as much.
Mamas don’t let your babies grow up to be poets.
‘Cause they’re always at home but they’re always alone.
Even with someone they love.

Don’t Come Home From Book Group With Lovin’ on Your Mind

(with apologies to Loretta Lynn)

Image result for don't come home from drinkin with lovin on your mind

Well you thought I’d be waitin’ up when you came home last night
You’d been out with all the girls and you ended up half tight.
But books and chardonnay don’t mix, leave a bottle or me behind
And don’t come home from book group with lovin’ on your mind.

Image result for book groupbooks

No don’t come from book group with lovin’ on your mind.
Keep talkin’ about your novel and suckin’ down your wine.
When you gals read that chick lit it don’t improve your minds,
So don’t come home from book group with lovin’ on your mind.

Image result for book group

You’re never home, you’re always gone, readin’ bodice rippers.
Many’s the night I’ve laid awake, yearnin’ for your nippers.
But you come in too drunk for love, it happens every time
No don’t come home from book group—with lovin’ on your mind.

I Wish You Loved Me as Much as Your Phone

We’re here together, but I’m all alone.
Your body’s here, but your mind is gone.
I might as well be in The Twilight Zone–
I wish you loved me as much as your phone.

You call me baby, you call me doll–
And then you say “I gotta take this call.”
You talk to someone from parts unknown–
I wish you loved me as much as your phone.

When we get home from our evening date
I think of romance as it’s gettin’ late.
And then I hear that little nuisance ring
I don’t know why you can’t turn off that thing.

You say you love me as you stare at your screen
The way you treat me is beyond obscene.
When you look up you’ll see this bird has flown–
‘Cause you don’t love me as much as your phone.

I Wear My Erudition Lightly

I wear my erudition lightly,
or at least I really try.
If you put on a heavily learned cloak
folks won’t think you’re a regular guy.

So I drop bon mots at cocktail parties
when the conversation starts to flag.
Like “Didja know that a guy named Tiresias
used to walk around all the time in drag?”

Or the fact that Lincoln crossed the Rubicon
to end the Peloponnesian War?
It was either that or the French Revolution,
I’m sure I read it somewhere before.

I’m also good with orthography,
I’m a former spelling bee champ.
I’ve never misspelled H2SO4
And I know why the lady’s a tramp.

I know about quantum mechanics,
Which is a concept thought up by Niels Bohr.
I take my quantum in every three thousand miles
and they lube my four-on-the floor.

I took some classes in vers libre,
which I found to be most stimulating.
I also drink mojitos and daiquiris,
and I find them all very intoxicating

If you want to display your brainpower,
don’t be afraid to let it all out.
When people say they think I’m unlearned,
I don’t leave any room for doubt.

To Make Ends Meet, More Poets Turn to Discounters

NEEDHAM, Mass.  Curtis Bascomb, Jr. is a third-generation family business owner, so he has more than just his time and money invested in his workplace.  “Grandad founded this place on a promise,” he says with a trace of a lump in his throat.  “He believed no poet should ever go without a figure of speech because of high prices.”


“I’m looking for a synechdoche for wine.”

 

And so the Poets Discount Supply House was born, a harmonic convergence of New England thrift and the historically impecunious nature of the poet’s trade.  “I’m entering my coming-of-age collection in twenty chapbook contests at an average of $22.50 a pop,” says would-be poet Todd Heftwig, who prowls the aisles looking for bargains.  “If I can pick up a slightly-used simile or metaphor at half-price, I may be able to recoup my investment.”

poetry1
“There’s a size 7 and a half sestina back here with seagulls in it.”

 

In addition to garden variety figures of speech such as similes and metaphors, the Poets Discount Supply House carries more exotic forms such as synechdoches and metonyms, as well as a deli case stocked with onomatopeia and tropes.  “We buy this stuff fresh every day,” says Bob Vibeck, who started with the company when it was run by Bascomb’s father, Curtis Sr., in the 1960s.  “That’s why poets come back to us even when they hit the big time, which is really still the little time.”

The store is located in an undistinguished warehouse off a busy commercial street, part of the family’s business plan to keep costs down.  “We can sell you a package of three generic themes–seagulls, unrequited love, the effect John Coltrane’s music had on you in college–at half the cost of the high-end retailers,” says Curtis Senior.  “That’s our sweet spot.”


“If you need a rhyme for the word ‘love,’ line up on the right.”

 

The store is ramping up for what is usually its busiest time of the year, as shoppers stop in for a turn of phrase for a Thanksgiving toast, or get ready for Christmas proposals, when the family will bring in temporary sales help to handle the crush of smitten but unlettered Romeos.  “These guys come in here with something scratched on a cocktail napkin looking for le mot juste,” says Curtis Junior, shaking his head.  “I tell ‘em you can’t bring in your own stuff, you got to buy it here.”

 

Available in print and Kindle format on amazon.com as part of the collection “poetry is kind of important.”

On Having a Non-Affair With a Flamboyant Minor Dada Poetess

Poet William Carlos Williams had “a non-affair with the flamboyant minor-Dadaist poet Baroness Elsa von Freytag-Loringhoven.”

The New York Times Book Review

Elsa, you must not take it amiss
if I do not succumb to your fervent kiss;
I have a wife I’ve cheated on before
So it’s not because I’m true to the missus.


Williams

 

It’s just that—well, I don’t know how to put this—
With a Dadaist poet a non-affair is the height of erotic bliss.
The way you Dadas turn everything ceiling to floor
If we are to love, a mile is as good as a miss is.


The Baroness, gettin’ jiggy with it.

 

Another impediment, although you I’m lovin’—
I’ve counted your syllables—and you have a dozen!
If we were to marry, my friends I would bore
Introducing “my wife, Baroness Elsa von Freytag-Loringhoven.”

So let’s keep it chaste, between you and me,
For minor Dada-ettes forever free should be.
Oh, I forgot, one absurd thing more—
My hat rack adores your other bee’s knee.

That’s Why the Lady is a Slut

She’s never too bloated to eat a Slim Jim.
She never showers before taking a swim.
She belches loudly at the Pizza Hut–
That’s why the lady is a slut.

She’s not the type to play bridge at her club.
Doesn’t like salads, preferring a sub.
If she were a dog you’d call her a mutt–
That’s why the lady is a slut.

 

She likes the free, fresh wind in her hair
As she dares
To drive getaway, it’s okay.
She hates New England, ‘cause it’s cold and it’s damp–
That’s why the lady is a tramp.

 

 

She doesn’t like opera, and hates the ballet–
If a flick’s got subtitles, it isn’t okay.
Won’t do Pilates and it shows in her gut–
That’s why the lady is a slut.

 

Her blue eye shadow says she’s a bimbo.
When she screams at you her arms are akimbo.
An old boyfriend’s name’s tattooed cross her butt–
That’s why the lady is a slut.

trampstamp

Highway Poet Tells Bureaucrat to Hit the Road

ENFIELD, Connecticut.  Mike Abruzzioni is Assistant Deputy Commissioner of Roads and Bridges at State Highway Department District #2 Headquarters here, a position he earned after many years of service, plus frequent contributions to state legislators.  “It ain’t what a lot of people think,” he says of the keys to his success.  “In addition to hard work, there’s a lot of ass-kissing you gotta do.”

Image result for led highway sign

Still, after two decades climbing the bureaucratic ladder he thought he had achieved some measure of personal freedom to do his job as he pleased, including some latitude as to the messages he posts on the Department’s LED message signs.  “Frankly, I didn’t even know Connecticut had a poet laureate,” he says ruefully.  “Seems like a waste of money to me at a time when I got to lay off two brush-hog cutters.”

Image result for brush hog cutter
“I leave a wake where’er I go/That’s what you get whene’er you mow.”

Abruzzioni is referring to the run-in he had with Tristram Morgan, the state’s official poet until December 31st of this year, after he posted “Stay awake/take a break/for safety sake” along Route 1 over the July 4th weekend.  “I didn’t think nothin’ of it, then I get a call the Monday morning after from the Arts & Cultural Council saying they’re filing a grievance against me.”

The complaint referred to the terms and conditions under which Morgan took the largely honorary position of state poet laureate, which pays only a stipend of $2,000 plus a 5-minute shopping spree at Annie’s Gently Used Romance Paperbacks in West Harford.  “POET,” the rider to the standard state contract terms and conditions reads, “shall be the official source of all poetry purchased by the STATE until the expiration of the term hereof,” which the assistant professor at Trinity College says entitles him to craft the traffic messages that are flashed to motorists.

“I found Mr. Abruzzioni’s little doggerel to be deficient in many respects,” Morgan sniffs when the question “Who cares?” is put to him by this reporter.  “An elementary, almost banal rhyme scheme.  The abbreviated line length–surely the marks of a poetaster.”

Image result for state highway headquarters command center
“Take the detour round West Hartford/or what the hell is all my art for?”

In its place Morgan began to post verse that, in the formulation suggested by Archibald MacLeish, tended to “be” rather than “mean” and echoed the work of the state’s most famous poet, the notably obscure Wallace Stevens:

Nutmeg State, Dunkin’ Donuts
Please slow down folks, and don’t go nuts.

When Abruzzioni objected, saying his work was protected by civil service regulations, Morgan began to write poems that crossed the line into advocacy, as Byron’s late work was enflamed by his support of the Greek struggle for independence from Turkey:

Poems written by highway hacks–
They give me bad gas attacks.


Image result for highway line painter truck
“Hey–slow down/What the fuck?/Don’t you pass my/painting truck!”

Ultimately the conflict between the two public employees will be resolved by binding arbitration before a three-member panel composed of a writing instructor from the University of Connecticut-Storrs, an industrial accidents court judge, and Bob Nash, the driver of a line-painting truck who is hoping to move up from two-lane state roads to four-lane highways eventually.  “I’m gonna try to be an impartial judge,” he tells this reporter as he squints into the sun at the end of the workday.  “On the other hand, that D+ I got in senior English means I can never get a job at the Registry of Motor Vehicles.”

Available in print and Kindle formats on amazon.com as part of the collection “poetry is kind of important.”