At the Viking Poetry Slam

                A mastery of poetry was a must for any young Viking.  A few Viking poems dwelt on love, but the heroes often undermined their happiness by chasing adventures that separated them from their beloveds. 

                                     The Wall Street Journal


“Who’s got the beer cooler?”

It’s 1230, and I don’t mean by the hands of the sundial.  I mean it’s 1230 A.D., and me and my buddies, Gunnlaug Snaketongue and Hallfred the Troublesome Poet, are having our regular Tuesday night poetry session.  We meet at Ericson’s, where they have 20 ounce King Olaf’s for only a clam, and pitchers for five clams.  Let me tell you, we usually set back the progress of Western civilization a couple of decades before the night is through.


Ericson’s:  Get there early for Friday Night Oxen Races.

We roll the bar dice to see who goes first, which is actually not the most desirable spot.  It’s better if your listeners have consumed a little mead before you start to bare the workings of your innermost soul.  Unfortunately, I roll snake-eyes.

“You go first Kormak Ogmundarson!” Hallfred says with glee.  I can tell he’s going to pounce on my handiwork like a blood eagle grabbing a baby chick.

“Okay, here goes nothing,” I say.  I take one last drink to wet my throat, then I launch the Viking ship of my verse onto unknown seas.

That night I dreamt of a maiden fair
whose dress I removed with a flourish.
What I saw underneath was a navel and hair
but a body that looked overnourished.

I looked up from my rudimentary parchment note pad to judge the effect of my quatrain on Gunnlaug and Hallfred.  “You say overnourished like it’s a bad thing, dude,” Gunnlaug says with a look of disapproval.

“But wait,” I say, anticipating twentieth-century cable TV pitchman Billy Mays, “there’s more.”


“There’s more bad poetry where that came from!”

“Let ‘er rip,” Hallfred says as he unleashes a belch that could be heard in Vinland.

“Okay,” I say, then compose myself and start in again.

She could have been my winter consort
if I’d paid more attention to her
But I was consumed by televised sport
and another Vike came to woo her.



Vinland, via the scenic route

I’m surprised to see a look of empathy on Gunnlaug’s face.  “That’s beautiful, man,” he says as he pretends there’s something in his eye in order to hide the fact that he’s wiping away a tear.  “Ain’t that always the way.  You’d like to have a relationship with a woman, but you want some freaking adventure with your guy friends, too.”

Hallfred, on the other hand, being the Troublesome Poet that he is, is unmoved.  “What the hell are televised sports?” he asks.

“It’s an anachronism I threw in for dramatic effect,” I say.  “This is a stupid blog post–you’re going to have to wilfully suspend disbelief if you’re going to get anything out of it.”

He takes this in slowly, and mutters a grudging “Okay–that was pretty good.”  He’s not the brightest shield on the battlefield, if you know what I mean, but he leaves a pretty wide wake at poetry slams because of his brooding good looks and primitive style.  Personally, I think it’s all a facade.  He’s so dumb his descendants will be going bare-chested to football games in Minnesota winters seven centuries hence.

“Show me what you got, big fella,“ I say to him throwing down the poetic gauntlet.

He pops a handful of squirrel nuts into his mouth, and washes them down with a gulp of beer.  “Here goes,” he says, and begins:

My old lady’s quite a dish
if I do say so myself.
She don’t come along when I icefish,
she eats tuna from the pantry shelf.

Gunnlaug emits a tepid grunt of approval.  “I sense the difference between your maleness and her femaleness,” he says looking off into the distance, “but you didn’t do much to establish dramatic tension.”

It’s clear that Hallfred is hurt by this faint praise, and he lashes out, bringing his pickaxe down on the bag of Astrix and Obelix Pub Fries that Gunnlaug’s been munching on.  “Anybody can be a critic,” he fumes.  “Let’s hear some poetry out of you, blubber-belly!”

“Well kiss my ass and call it a love story,” Gunnlaug says with a withering smile.  “Looks like Mr. Brutalist has a sensitive side, too.”

“Your doggerel smells like two-year-old Swedish Fish.”

“Actually,” I interject in an effort to keep the peace, “Swedish Fish stay moist and chewy forever in the patented Sta-Fresh resealable bag.”

But Hallfred isn’t letting his rival go.  “Come on, man,” he says angrily, as other patrons turn their heads in the hope of seeing a senseless killing.  “It’s Rhyme Time.”

Gunnlaug looks Hallfred up and down, then a frosty snort of Arctic air escapes from his nostrils.  “It ain’t bragging if you can do it,” he says, then clears his throat.  The silence in the room is broken only when he speaks in a low voice steeped in regret:

I once got a peek of a wench’s breasts
that made me forget I was a Viking.
I’m telling you man, they were the best–
I gave up my Harley and biking.

An audible gasp rose from the crowd.  The ultimate aesthetic error of Viking poetry–to succumb to the wiles of a woman!  How was Gunnlaug going to get out of the lyrical gulag he’d wandered into?

She had a big hat with horns festooned
and said “Dear Vike, please impale me.”
But a friend had some tickets to the Wild vs. Bruins
“Stay with me,” she cried, “and don’t fail me!”

Now it was Hallfred’s turn to snort.  “The first thing to do when you find yourself in a hole,” he said with a sneer, “is to stop digging.”

“Hold your freaking reindeer,” Gunnlaug said.  “I ain’t through.”

He took a deep breath, then began again.

I looked in her eyes, both drowning in tears–
Though watery, they still looked nice.
“Look,” I said, “I’ll make it up to you dear–
I’ll take you to Smurfs on Ice!”

Available in print and Kindle format on amazon.com as part of the collection poetry is kind of important.

Pahk Your Kahma in Hahvahd Yahd

          Yoga instructions have been added to parking citations in Cambridge, Massachusetts, to “debunk the idea that all parking tickets are a hostile action.”

                                                                        The Boston Globe

It ain’t easy bein’ a meter maid in Cambridge, believe me.  Everybody thinks they’re a genius here.  You try tellin’ Alan Dershowitz he’s parked more than a foot from the curb.  “Eyewitness testimony is notoriously unreliable,” he says, like I haven’t heard that one before.

“You can appeal,” I says.  “It’s right there on the ticket, next to the Pranayama.”  We got to write 340,000 tickets a year, I don’t have time to stop and show everybody how to do the Uddiyana Bandha.

Or how about them snow emergency tickets?  We got to clear the streets for the plows, so that ticket’s gonna run you forty bucks.  And what do I get when I try to write one?  Nuthin’ but grief.  Last winter one guy says “You call this an emergency?  We’ve got a senile old man in the White House, we’re on the verge of World War III, we’ve got Weimar-level inflation—that’s an emergency.”

“You should take a deep breath,” I said to the guy as I ripped the ticket off my pad.  “Try the Jalandhara Bandha.”

“The what?”

“The Net Bearer Bond.  Right there on the citation.  Like you’re catching fish.”

The guy looked down at the ticket.  “Are you nuts?” he asked.

“No, I’m centered is what I am.  I don’t fly off the handle just because somebody’s doing her job trying to make the Athens of America a better place to live.”

I could see I’d caught the guy off guard, deflecting his rage with my verbal jiu-jitsu.

Namaste,” I said as I turned to go.  “The divinity within me salutes the divinity within you.  Have a nice freaking day.”

This time of year is the worst, though. You got kids moving out going to “internships” that pay more than I make after twenty years on the job.  You got dingbat out-of-town parents in town for graduation, totally ignorant of Traffic, Parking & Transportation Regulations, which are available on the city website, I might add.  Would it kill anybody to take a minute from illegal downloading to review them?  I don’t think so, and yet as I approach Central Square I see a twenty-something kid with a wispy beard getting out of his beat-up Volvo with an armload of CD’s on his way to a used record store.  As soon as he looks up, I pounce.

“I’m gonna have to write you up,” I says.

“What for?”

“You’re pahked you cah within twenty feet of an intersection—twenty bucks.”

“Come on—give me a break.  I have to sell my roommate’s stuff because he can’t pay his share of the rent.  I’ll be lucky to get half that much for all this folkie crap.”

“That’s not my problem,” I say as I note his license number.  I watch him carefully out of the corner of my eye—meter-maid rage is the biggest occupational hazard of my profession.

“This is so unfair!” he screams when he can control himself no longer.

“You know what John Kennedy’s dad said?” I say, recalling one of Hahvahd’s most illustrious graduates.

“No, what?”

“Life is unfair.  Here—try the Chaturanga Dandasana when you get back to your apahtment.”

“The what?”

“Right there on the back of the ticket.  It’ll help you relax, maybe you can talk some sense into your knucklehead roommate, okay?”

The kid looks at the pose, and I can tell he’s a little confused.

“I . . . I thought parking tickets were about enforcement—hostility.”

“Maybe in Boston, but not on this side of the river,” I say.  “In Cambridge, it’s all about helping you—the violator—reclaim the wholeness that’s your birthright with the three limbs of Patanjali’s classical yoga: dharana, dhyana and samadhi.”

I can see the kid is having a little trouble getting his mind around the enlightenment I’m offering him—for free.  Your tax dollars at work.

“You don’t have to do it as part of the Sun Salutation sequence,” I say, trying to reassure him.  “You can do it individually, too.  Just be sure to exhale when you release.”

“Okay—I guess.”

I smile at him, and bow low.  All in a day’s work—for a City of Cambridge Parking Enforcement Officer and Guru.

The People Who Won’t Get Back to Me

Literary agents, also editors,
But most assuredly not my creditors,
Someday they won’t mean jack to me—
The people who won’t get back to me.

How many top newspaper editors are from digital backgrounds? Still darn few  | iNewsDesign

Old girlfriends I find on the web—
One’s named Robin, the other’s a Deb.
I wonder whatever attracted me—
To the women who won’t get back to me.

Publishers, magazines, infamous authors–
I’ve sent them all emails, they can’t be bauthored.
Their silence speaks loudly this fact to me,
The people who won’t get back to me.

The people who’ve said to me “Let’s do lunch!”
Over the years I’ve collected a bunch.
There may be a hundred, I don’t know exact-i-ly.
The people who won’t get back to me.

Prospects to whom I’ve sent urgent wires
Urban mass choirs that I’d like to hire
Black, white or brown, they all turn their backs to me,
The numerous people who just won’t get back to me.

The Sure Cure for Writer’s Block

She takes her lattes extra skinny.
She drives a Cooper, it’s a Mini.
But when she takes pen in hand to put black on white,
the sad truth is—she can’t write.

His political opinions are properly aligned
towards the conventional wisdom, he’s inclined.
But as much as he tries to get his sentiments right,
His problem is—he can’t write.

They’ve taken the courses, responded to “prompts,”
you’d think that the scribbling part would be a romp.
But as much as they look like writerly types
They’re incapable of what’s known in the trade as “sitzfleisch”:

The ability to sit for hours on end,
to ignore dog, cat, internet, family and friends,
with your butt in your chair,
while your head’s in the air–

that’s what it takes if you want to give shape,
to airy nothingness, not a mouth all agape,
and an eye towards fashion and the au courant dance,
it’s the very opposite of ants in your pants.

Do I Hear an Alarm, or is Someone Reciting Free Verse?

          Evelyn Waugh gave Edith Sitwell a pocket air-raid siren, which she would set off when people asked her whether free verse is more truly poetic than rhymed.

                The Letters of Nancy Mitford & Evelyn Waugh


Edith Sitwell

 

As I turned the lock on the vault at the First Third Short National Bank, I could tell I was thisclose to realizing my dream; rolling in piles of dough, rifling safe deposit boxes for jewels and rare baseball cards, maybe even finding a pen in a bank that worked.

“You’re a freakin’ master,” my getaway car driver Mitch said. “It’s like watchin’ Einstein play the piano or sumpin’.”

I smiled at him and said “Thanks,” but held my finger to my lips. “I’ll need absolute silence.”

“You got it pal.”

Click-click-click I heard through my stethoscope. One more turn to the right and the tumblers would all fall into place! I held my breath and eased the dial ever-so-delicately with my fingers, but jumped back startled when I heard an alarm!

“What did you do?” I asked as I turned to look at Mitch.

“Nuthin’–I didn’t do nuthin. Except . . .”

“Except what?”

“Well, I did mumble a little sumpin’ to myself . . .”

“You fool!” I screamed, packing up my safecracking tools. “What was it?”

“Roses are red, violets are blue,
I like chocolate, and you can’t skate.”

……………………………………….

The sky was dark and foreboding. There was a stillness in the air, an eerie calm that seemed to presage an unseen, unknown calamity.

The wind picked up a bit–I could tell by the way wisps of grandma’s hair were blowing where they came loose from her bun.

And then I heard it. The tornado warning siren from the National Guard Armory. There was no time to lose!

“Papa-daddy!” I shouted to my father. “Tornado’s comin’!”

My mom emerged from the kitchen, where she’d been canning okra and rhubarb for the winter. “Gramma!” she shouted, “into the root cellar–tornado’s coming!”

Grandmother turned her face to the wind and tilted her head towards town, the better to hear.

“We’re all gonna die!” my little sister Baby Elizabeth cried.

“No,” my grandmother said, slowly and thoughtfully. “That’s not the tornado alarm–”

“It’s not?” I asked as I tried to pull her out of her chair.

“No, sweetie,” she said. “That’s the siren they blow when a surrealist poet commits the pathetic fallacy.”

…………………………….

It was time for our monthly “duck and cover” drill, a routine we were all growing a little tired of. Yes, the Russians had the atomic bomb, yes Nikita Khrushchev had threatened to “bury” America, but still, the silly routine of getting down on the floor and covering our heads to protect ourselves from nuclear fallout had grown tiresome. We were all hooked on phonics, and would have much preferred to practice our “th” and “ph” sounds. Besides, I was tired of looking at Timmy Rouchka’s butt.

And then we heard it. A low moan at first, rising in pitch until it became a horrid scream–this time it was for real!

Sister Agnesita drew the blinds, the better to keep out radioactive isotopes such as strontium 90, the secret ingredient that enabled kids who wore Poll Parrot shoes to run faster and jump higher. “Hit the floor, kids!” she yelled as she comforted Susan Van de Kamp, whose show-and-tell presentation on the dikes of Holland would have to be postponed for the nuclear armageddon.

Just then the classroom door opened and we saw the principal, Sister Mary Joseph Arimathea. “Back to your multiplication tables,” she said brusquely.

“What happened?” Sister Agnesita asked with a mixture of relief and confusion.

“Some dingbat named e. e. cummings tripped the alarm.”

Available in print and Kindle format on amazon.com as part of the collection “poetry is kind of important.”

Vieru Chiznu-Prut, Freedonian “New Wave” Poet, Dead at 84

DOS FLEDENS, Freedonia.  Vieru Chiznu-Prut, a seminal figure in the “New Wave” movement that transformed the poetry of this consonant-loving nation, has died after crashing his Vespa motorbike into an eggplant stand near his home here.  He was 84.


Freedonian “New Wave” Poets, 1939

 

“It was Chiznu-Prut, more than any other figure of the New Wave, who freed his people’s poetry from the monotonous Ø-æ-ç-å rhyme scheme of the past,” noted Barbara Wexford-Miluski, a professor of comparative literature at The College of Chillicothe, Chillicothe, Ohio.  “He cut a dashing figure on his Vespa, but his love of fuel economy eventually spelled his doom.”


Plangent Breadsticks, influential poetry journal

 

Prior to the New Wave, Freedonia’s poetry was dominated by the Old Wave, which had wrested the mantle of literary pre-eminence from the Even Older Wave at the end of World War I.  The New Wave poets chafed under the overbearing authority of the Old Wave, but broke free with a collective chapbook of poems defiantly titled “Dog Nearly Itches to Death.”


Marda Vleznik-Oerthke, reading her poems at a New Wave soiree

 

The New Wave began to experiment with “blank verse,” forsaking rhyme in pursuit of artistic innovation.  It was Chiznu-Prut’s “Vortex/Morning Breath” that heralded the dawn of a new day for Freedonian poetry in the inaugural issue of Plangent Breadsticks, an influential quarterly review:

ÈðÞåøûö üýþ ëýë
Ðûýøìþ üýþ øæçå
Î ûëöÞ çðòüòÞÿ
Êßá ÿüå éñç’ò šÅ¾œ¥!


Ezra Pound:  “I’m crazy, but not that crazy.”

 

As translated by Ezra Pound for English-speaking readers, the poem goes as follows:

Roses are red
Violets are blue.
I like goat cheese
and you can’t skate.

A celebration of Chiznu-Prut’s life will be held at the Student Union of the University of Freedonia-Gldansk, where he drank numerous cups of bitter chicory coffee over the years.  He is survived by his wife Glzena, his two mistresses Inirya Olgrsk and Nordinsk Phlegmats, and his cats, Orko and Desmond.

 

Available in Kindle format on amazon.com as part of the collections “Fauxbituaries,” “Hail Freedonia!” and “poetry is kind of important.”

My Poetic Nemesis

April is the cruelest month, wrote T.S. Eliot, and as a poet he knew whereof he spake. (Archaic past tense provided at no extra charge.)  April may be Poetry Month, but April is also the month in which the rejection letters and no-you-didn’t-win-the-Alice-Wambsley-Memorial-Poetry-Competition notices from the autumn submission cycle arrive in the mail.


Eliot: “Darn it—I lost again.”

But I’d been through all that before, so last fall I put on a Bush-Obama-Petraeus Verse Surge, sending out over 400 poems. I would become a published poet before turning–well, I won’t tell you what I’ll be turning–or expire tragically trying.

The fruits of my labor arrived yesterday. “We are pleased to inform you that your poem Thoughts on Waking After Spending the Night at a Kosher Vegetarian Commune has been accepted by plangent voices. Due to our extensive backlog, it is anticipated that publication will not occur until the fall 2025 issue.”


A (much) younger Hazel Flange

This, I thought, called for a celebration. I got in the car and headed over to the Coach & Four, the faux-colonial watering hole where the elite of our little exurban town—insurance salesmen, CPAs, the local zoning attorney—meet to eat and greet. And to confront my poetic nemesis, Hazel Flange.

Hazel has been lording it over me for years. She’s got all the good accounts in town: McBride’s Super Market, where she composes rhymed couplets for the flyers and paper shopping bags (“Looking for something to eat on Easter?  Our ham and lamb will make a feaster!”); Olney’s GMC-Chevrolet (“If you’re going to a gala, best that you should buy Impala!”); Muckerman’s Funeral Home (“We’ll bury your kin with quiet dignity—we promise our bill won’t be very bignity.”)

Then there are the special commissions—birthday, anniversary and pet poems. Have to hand it to the old girl, she was the one who came up with business model. Go to another biddie’s house for bridge club, compliment the household dog, cat or goldfish, write a poem about it for the local paper. Then, when the owner is basking in the reflected glory of compliments from all her friends, offer to make her a laminated copy, suitable for framing—for twenty bucks. “I just love your little Poodie, he is such a darling cutie!” Gag me, as the Valley Girls used to say, with a spoon.

But now the shoe is on the other foot. With Kosher Vegetarian Commune I’m not only published, I’ve introduced a genre of my own creation to the world of verse; poems whose titles are at least 75% as long as the poems themselves! Count them off:

This is kosher, this is trayfe,
One unclean, the other sayfe.
All day long we work and slayfe
Keeping kosher from the trayfe.

Pretty neat, huh? So it is with a new confidence that I stroll into the bar at the Coach & Four.  It’s not Les Deux Maggots, or The White Horse Tavern in Greenwich Village where Dylan Thomas drank himself to death—but it will do. Except for the bathroom stalls—you know the one that begins “Here I sit all broken-hearted” don’t you?—the only poetry in the house is composed by Hazel, recited to a table crammed with her fawning sycophants.

I wave my hand as I stroll up to the bar and make the announcement I’ve been dying to proclaim for lo these many years. “Marty,” I say to the bartender, “potato chips and snack foods for everybody—and see what the boys in the back room will have!”

With that a scramble the likes of which have not been seen since the Oklahoma land rush begins; there are only so many bags of Cape Cod Parmesan & Roasted Garlic Chips on the Snack-Rack, and it’s every man for himself.


Eyes on the prize.

I order my usual—a Smutty Nose Elderberry Lite I.P.A.—and lean back to take in the room, holding the tall-boy bottle Jeff Bridges-style, oh-so-casually around the very tip of the neck. I cast a glance in Hazel’s direction—she gives me the steely-eyed gaze that has caused so many budding young aesthetes to realize there’s room for only one poetess in our town, and she’s not going anywhere.

I stand up and begin to work the room—suddenly I’m every man’s hero now that the out-of-work “consultants” and “advisors” in town are chowing down on Andy Capp Pub Fries on my nickel. After many slaps on the back and congratulations, I mosey over to Hazel’s table and, with an affected look of surprise, greet her.

“Why, Hazel,” I say, beaming, “fancy meeting you here! How’ve you been?” I don’t try to party-kiss her—in her dotage she has taken to applying rouge to her cheekbones. She read in Marie Claire that Celine Dion does something similar to make her nose look smaller.

“Hello,” she replies in a measured tone and just the hint of a combination smile-sneer—a “snile,” a “smeer”?—on her lips. “I see you have something to celebrate—finally.”

That hurts. Hazel had her first poem published when she was in fourth grade. I spotted it for the Christina Rossetti rip-off that it was—“Who can see the wind, neither you nor me, but when the wind is blowing, it tickles both my knees”—but apparently the editors of My Little Messenger weren’t as well read as me.

“Yes, yes, that I do,” I reply, trying hard to retain my composure. “Of course, it’s nothing to compare with the success you’ve had. Writing rhymed couplets for discount tire and battery stores.”

Image result for tire and battery store
“Whence from your car you do dismount, check our snow tires at deep discounts.”

There is a collective intake of breath by the circle of admirers at Hazel’s table, but she’s as cool as a poker player sitting on pocket aces. “No man but a blockhead ever wrote except for money,” she says, going all Dr. Johnson on me.

The flow of air is reversed—the little group explodes with laughter—but I ignore the obloquy they think they are raining down on me. I’m after the Big Tuna Salad on White Toast Sandwich her own bad self.

“How’s about a little mano-a-womano verse battle—right here, right now, you and me?”

“Une petite slamme de poesie?” she replies, using up all the French she knows outside a Chef Boyardee can.

“That’s right. Winner take all. Must be original, spontaneous work, rhymed and metered.”

“My apartment has a separate meter,” one of her followers says, displaying the level of ignorance that is required in order to appreciate Hazel’s verse.

“Stifle it, Maeve,” Hazel snaps at the woman, and then says to me—”You’re on.”

“Peachy,” I say with a smarmy smile. “Ladies first—and no crib notes.”

The room is so quiet you can hear a chip drop, and from the bar I detect that Bob Muldowney, head of the Public Works department, has let one fall to the floor.

“If I’m not mistaken, that was a Cool Ranch Dorito?” I say with a note of expectation in my voice as I wait upon the answer, showing off my ear.

“That’s amazing,” Muldowney says.

That’s the kind of ear it takes to be a first-class poet,” I say smugly. “Hazel—your serve.”

The dowager versifier clears her throat. She cocks her head a little to one side, like a parakeet—my guess is what she comes up with will be as derivative as “Polly want a cracker?”

She steadies herself by putting her fingers on the table, closes her eyes, tosses an errant spit curl aside and begins.

How lovely to be a poet
How wonderfully rewarding
It is like a free vacation trip
On a cruise ship you are boarding.

But each night when I’m finally done
I brush my teeth and floss.
A poetessa’s job is this:
To pluck wheat from the dross.

I’m tempted to yell “mixed metaphor,” but it’s the playoffs, and I know I’m not going to get the call.  No ref wants to blow a freestyle poetry battle in front of a big crowd and I have to say, even though it’s against my interests, that I agree—let ‘em play.


Woman with distaff: Whence it came, hence the name.

Hazel’s toadies are applauding politely but this is a bar, the audience is disproportionately male, and most of the guys are sitting on their hands, waiting to hear something from the non-distaff side.

“Great stuff, Hazel,” I say magnanimously. “I’ll give you the email address for The New Yorker when we’re done.” This is known as “trash-talking,” and as a Celtics fan during the Larry Bird Era, I learned from the master.


“Shhh—Larry’s going to recite now!”

The guys at the bar are looking at me with a mixture of hope and trepidation. They’re the ones who’ve been scratching doggerel on the walls of the stalls in the men’s rooms, inking haiku above the urinals, suffering under the yoke of genteel feminine poetry for so many years as Hazel asks them to turn down the games on the four giant-screen TVs so her umpty-dumpty-dumpty/umpty-dumpty-dump lines can be heard. If I can take her down, it will be a Spartacus-like moment; the joint will once again be free for belching and bad language worthy of Dizzy Dean, who drew the scorn of St. Louis English teachers for saying “He slud in there” on the Baseball Game-of-the-Week.


Dizzy Dean: He really said it.

“Hazel,” I begin with an off-hand, informal air that catches her off guard,

this is stupid stuff;
your pansies and violets—
your fairies at dawn or later in
the gloaming.

what the hell is a gloaming anyway?
and why would you bother to use it when poeming?
I do not like it, and no man could;
find another word please, if you would.

but in the meantime, hear me out;
the matter, we say, is free from doubt.
a bar’s not the place for poems like lace doilies,
and also I noticed your nose is quite oily.


Kudos!

I hesitate to use the word “claque,” but the guys are behind me all the way on this one, and the place erupts with a noise not heard since Jason Varitek stuffed his catcher’s mitt in Alex Rodriguez’s mug. They don’t call it “home court advantage” for nothing.

The ladies’ table is a bit taken aback by the rough tactics and the thunderous acclaim, but Hazel recovers like the pro that—I have to admit—she is.

“Nicely done,” she says, although I can tell that it pains her to put a smile on her over-glossed lips.

“Thanks—you’re still my favorite poet named Hazel,” I say. Good sportsmanship is contagious, I guess. “Have a drink on me, okay?”

Hazel considers this for a moment, then says “Yes—I think I will,” and advances to the bar where Marty says “What’ll ya have?”

“I think,” she says as she eyes the racks of expensive liquor behind him, “a Brandy Alexander—with Courvoisier VSOP Cognac.”

“Hey,” I say quickly before Marty can pour. “I meant anything under five bucks.”

Available in print and Kindle format on amazon.com as part of the collection “poetry is kind of important.”

Apologia for an On-Line Flirtation

(pace Matthew Prior)

prior

You say you saw what I said last night
to a woman whom I’m not married to;
a quip on a social media site
dear, that’s what people—when on-line–do.

This sort of thing has happened to wits
since before the internet was invented.
Their women object to the things that they’ve writ
overestimating what was intended

prior1

by a fillip, a lagniappe, a mere bagatelle
that’s tossed to an acquaintance casual
of the opposite sex, who for all they can tell
is a rival, a lover quite actual.

The mistake that is made, by those not in the trade,
of stringing together words idly,
is to think the facetious one wants to get laid
by flirtations the poet casts widely.

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At the end of the day (as the business drips say)
I always return home to you, dear.
And along the way, I never stray
I really have too much to do, dear.

You get my paycheck by direct deposit
you can see on-line all my expenses.
If it’s an affair of the heart you’re trying to posit
The facts rebut your inferences.

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What woman would go with a man so cheap
that he’d only pay cash for his wooing?
If another woman I wanted to keep
lack of funds would be my undoing.

So let us end this tiresome strife,
it’s consumed too much of our night and our day.
I’ve many girl “friends” but only one wife
And believe me, I want to keep it that way.

 

 

The Gertrude Stein Look-Alike Contest

We’re getting up in years, we few forthright men who revealed to each other that we wanted to write back in our youth.  It takes a lot for a guy to open himself up that way to another man.


Is it Ed, or Gertrude?

 

There’s the odor of the effete about sitting down, waiting for inspiration, then scribbling your purple prose out on the blank page.  And there’s the sin of ambition.  You’re not content to become an accountant or an actuary–you want to become famous, huh?  You think you’re better than everybody else?

But we stuck with it with varying degrees of failure, and now find ourselves looking back on what we haven’t accomplished.  It’s about this time of year we get together for some wistful bonhomie as we slyly check out each other’s bald spots and paunches.


Faulkner:  Gave up a promising career as a postmaster and took the easy way out to become a Nobel Prize-winning novelist.

 

There’s Ed, the guy who was smitten with William Faulkner as an undergraduate and almost allowed his infatuation with the Mississippi Master’s stream-of-consciousness style to ruin his career as an air traffic controller.  There’s Rob, the Hemingway fan who had cosmetic surgery performed on his cat to add a toe to each paw.  And there’s me, the Fitzgerald nut with my inflatable Zelda love doll.

Regardless of whom we modeled himself after, we had to admit that four decades later we’d been worn down to the same nub.  When we hit our fifties, we all started to look not like our Lost Generation heroes, but like . . . Gertrude Stein. Stoop-shouldered, thick about the middle, not much hair.


“It was *sniff* cruel what he did to us!”

 

At first we joked about it in a nervous manner; keeping the horrible consequences at bay.  But after a few years of channeling the woman known for her sophisticated baby talk, we embraced our inner Gertrudes.  We turned competitive–as men are wont to do–and began to hold annual Gertrude Stein Look-Alike Contests.

When word got out there was the obligatory human interest story in the local paper, which got picked up by a wire service.  The next year we were overwhelmed, like Yasgur’s Farm by Woodstock.  Our little burg of twenty-some-thousand was transformed in a day to a mid-sized city five times that size by 80,000 grumpy, stocky, cross-dressing guys with close-cropped hair wandering around in baggy skirts muttering stuff like “I like this town but I don’t like that I’m in this town.”

You had to work to get it just right.  Some of the younger squads would come into town with fancy matching embroidered loden coats–”Milwaukee Gertrude Brood”–and then crap out when it came time to complete the phrase “a house in the country . . . “

“Is not the same as a country house!” I’d fairly shout at the laggards from the provinces who thought all you had to do was skim “Tender Buttons” the night before “Stein Time.”  Fat chance.  As the Great Lady herself said, “Do you know because I tell you so, or do you know, do you know?”

You’d hear guys at the cash bar complaining about the judges as they hitched up their loose-fitting dirndl skirts.  “Gimme a break,” I said to one loudmouth, and it wasn’t the absinthe talking.  “What did Gertrude say–’The deepest thing in any one is the conviction of bad luck that follows boasting.’”  That shut him up.


Best buds!

 

We went into the men’s room to relieve ourselves before we went on, and I caucused with Ed and Rob at the urinal.  “You’ve got to remember,” I said as I cleared a path through the knee-length scarf I’d added to my outfit that morning, “be paradoxical, obscure and repetitive.”

“What was the last one again?” Ed asked as he shook himself.

“Repetitive,” I replied.  “Like ‘I who am not patient am patient.’”

“Can I write crib notes on my sleeve?” Rob asked.

“NO!” I snapped, then lowered my voice when heads turned.  “The essence of a good gertrudesteinism is errant, antic circularity.”

“Okay,” Ed said over the roar of the hand dryer.

“You guys ready?” I asked.

“I guess,” Rob said.

“You guess?” I straightened him up with a stiffarm to the shoulder.  “‘It is funny that one who prepares is not ready.’  Got it?”


“I just don’t ‘get’ this Gertrude gal!”

 

A look of enlightenment came over him, as if he finally understood calculus, or Avogadro’s number, or the appeal of Kathie Lee Gifford.

“Got it,” he said.  “The one who ‘gets’ something is the one who is gotten.”

“Attaboy,” I said with a grin.  “Let’s go–in a direction we don’t want to go.”

Available in Kindle format on amazon.com as part of the collection “Dead Writers Make More Money.”

Writing My Obituary

It came on all of a sudden, like a summer thunderstorm.  We had been talking at dinner about friends and family, and family of friends, who had passed on recently, and my wife became teary-eyed.

“You just never know when you’re going to lose someone,” she said as her face clouded over with foreboding.  “If you died . . .”

“You mean when I die . . .”

“I was going to say, if you died soon . . . I wouldn’t know what to put in your obituary.  You’ve done so many . . .”

She choked up, and couldn’t speak.

“Trivial things?” I offered helpfully.

“I was going to say ‘stupid,’ but yes, maybe ‘trivial’ is a better word.”  She had that stoic demeanor of an ancient female relation in a tale by Faulkner.  She would not just endure, but prevail against the forces that threatened to snatch me away from her at any minute–a light beer truck driven by a texting Teamster, for example.

Her concern was timely.  A week earlier I’d fallen in a hole in the pavement next to the Surface Artery, the high-speed boulevard I must cross on my way to work, and tumbled into the road, so we’d had a recent intimation of my mortality.  “You’ve mentioned a riderless horse before . . .” she said as her voice trailed off.

“I was kidding, sweetie,” I said as I patted her hand.  She was too young to remember the poignant touch that this symbolic animal lent to the funeral of President Kennedy, but I recalled it vividly.  I’d long ago decided that it was over-the-top, de trop as the French would say, right after they corrected me for thinking that “cheveux”–which means “hair”–is the French word for “horse.”

“I don’t need a riderless horse,” I said.  “Times have changed.  I was thinking more along the lines of a driverless car.”

“Like Google is making?”

“Right.”

“Well, that would remind me of the way you drive,” she said, as she stifled a sniffle.

“I don’t think it will be hard for you to write my obit.  I’ve already done a lot of the spadework.”

Image result for frank conroy stop time

“You have?”

“Yep.  Surely you’ve read my autobiography–‘So Far, So Good’?”

A look of chagrin scuddered over her face, like the shadow of a low-hanging cloud as it blows by above you.  “Actually, no,” she admitted.  “When did you write it?”

“Fifth grade.  I got an A+ on it.  It’s considered a classic of the genre.”

“What genre is that?”

“The youthful autobiography.  Goodbye to All That by Robert Graves.  Stop Time by Frank Conroy.  Justin Bieber: First Step 2 Forever: My Story.”

“Why does he get to have two colons in his title?”

Image result for bieber

“He’s The Bieb.”

She rubbed her finger under her nose, and I handed her my napkin.  She’d already used hers, but I wipe my hands on my pants, so mine was clean.  “I didn’t know you’d written an autobiography.  But what about . . .”

“The later stuff?”

“Yes.”

“I’m not sure I’ve actually accomplished that much since then.  Remember, I was a two-time spelling bee champ, earning a perfect score both times.”

“That’s why I don’t need a dictionary with you around,” she said, as she took a turn patting my hand.

“I’d become the first class president in my little Catholic school from a mixed marriage . . .”

“Like Obama?”

“Sort of.  My mom’s Protestant.”

“And yet, you never hear about that on the news.  So after that . . .”

“Well, I was a member of a prize-winning polka troupe in sixth grade . . .”

She began to choke up again.  “Who . . . who was your partner?”

“Carolyn Spretzel.  But I’m not in touch with her anymore.”

“Not even on Facebook?”

I placed both hands on the table so she could see I hadn’t crossed any fingers.  “I promise.”  I did what I always do when I want to comfort her: I got down on my knees, scooched over to where she was sitting, and gave her a big, wet, warm, sloppy kiss.  Husband as golden retriever.

“How about your memorial service.  I know you want a traditional New Orleans band, right?”

Image result for new orleans funeral band

“Correct.  ‘Just a Closer Walk With Thee’ to the cemetery, ‘Didn’t He Ramble’ coming back.”

She looked off into the distance.  I could tell she was calculating in her mind how the mounting cost of my obsequies was going to cut into her merry widowhood, and I’m not talking about the bustier.  I mean her decorating budget, once I was gone and could no longer stand athwart the entrance to the living room, yelling “Stop!” when she tried to put up new window treatments.

Image result for merry widow bustier
Merry Widow

“How about poems,” she said finally.  “I know you love poetry . . .”

“But you hate it.”

“I only hate it when I don’t understand it.”

“Don’t worry–I wouldn’t make you read any Wallace Stevens.”

“Who’s he?”

“According to Robert Frost, The Poet of Bric-a-Brac.”

“Like your mother used to have on that knick-knack shelf in her dining room?”

“Right–the one I crashed pretending to be Wile E. Coyote clinging to a ledge one night.”

Image result for wile e coyote ledge

“Why were you doing that?”

“I was young and stupid.  And animated by the spirit of a Warner Brothers cartoon character.”

“Okay,” she said, apparently forgiving me for a misdeed that my mother–now gone–couldn’t.  “So what poem would you like?”

‘The Lotos-eaters’ by Alfred, Lord Tennyson.”

“Why does he have a comma in the middle of his name?”

“I don’t know.  I guess he was a big star in his time, like The Bieb.”

“How does it go?”

“You don’t have to read the whole thing, just these lines:

Dear is the memory of our wedded lives,
And dear the last embraces of our wives
And their warm tears: but all hath suffer’d change:
For surely now our household hearths are cold,
Our sons inherit us: our looks are strange:
And we should come like ghosts to trouble joy.
Or else the island princes over-bold
Have eat our substance, and the minstrel sings
Before them of the ten years’ war in Troy,
And our great deeds, as half forgotten things.

I waited a moment for the sound of the last words to die away.  “Do you like it?” I asked at last.

“It’s okay,” she said, and now her tears were dry.  “Just don’t come like a ghost to trouble my joy when I’m having my girlfriends over.”